Figure with Stars (1933), Joan Miró Tricks and my children became ghouls  flitting between the veil of night, that year, they were in...

When Fantasy & Reality Collide: A Review of Garrett Caples’ Proses: Incomparable Parables! Fabulous Fables! Cruel Tales!   by Olivia...

An Interview with Ruben Reyes Leslie-Ann Murray A remarkably self-assured and thrilling debut novel...The book starts with a Cambridge...

The Butterfly (La Mariposa) (1982) | Jesus Sanchez Uribe Le Streghe I. The gardens here are vast and overwhelming. We are growing...

CHASING TRACES: A Review of Elizabeth Cooperman’s Woman Pissing   by Sydney Wills Woman Pissing  is a delightful paper trail, a gleam...

On Trusting Your Instincts as an Experimental Writer: A Craft Talk by Shze Hui Tjoa Last summer, a friend and I were taking a road trip...

The Girl by the Window (1893), Edvard Munch The Night I Remembered How To Fly I have to do it. I have to do it right. I have to do it...

Exotic Garden (1954), Kurt Seligmann Holy is Another Kind of Lonely Make of pain what you will, the kid in me will say it’s all for show....

‘Ignore the Bleeding’: A Review of Okwudili Nebeolisa’s Terminal Maladies   by Ìfẹ́olúwa Àyàndélé Nebeolisa, in this debut poetry...

TV sets in Store Window (2001/2006), Zoe Leonard Ready Rentals I have my own money, and that basically makes me a grownup. Mom said I...

About the Work: Christian Paulisich In our “About the Work” series, SER editors ask recent contributors for insight into their writing...

An Interview with Cleo Qian Li Zhuang The electric, unsettling, and often surreal stories in  Let’s Go Let’s Go Let’s Go  explore the...

The Moon at Night (1890), George Inness Full Moon Effect Come on, Joaquin, I said to the horses, not knowing what else to say, the ...

‘Dreaming of the Possibilities’: A Review of Ajibola Tolase’s 2000 Blacks by Ìfẹ́olúwa Àyàndélé Ajibola Tolase’s 2000 Blacks...

Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds (1834), Katsushika Hokusai 葛飾 北斎 Rifka...

An Interview with Larysa Myers Haley Laningham See more of Larysa Myers’s work here . The suite of Larysa Myers’s work we have taken for...

About the Work: Stephanie Early Green In our “About the Work” series, Olga Mexina and Tom Sokolowski ask recent contributors for insight...

Sentimentality & Dogma : A Craft Talk by Kevin Prufer Exotic garden (1954), Kurt Seligmann Many years ago, I was asked to give a short...

Landscape at L’Estaque (1906), Georges Braque They Can Touch, They Can Name I play a game with my children. They sit in the grass with...

A Review of Jose Hernandez Diaz’s The Parachutist By Natalie Tombasco As I write this review, it is Inauguration Day in America. A focal...