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  • Mar 22
  • 1 min read

Bijan Ghaisar



Say we shot a video—would the first or tenth


bullet put a son in the past tense? Drop the windshield


like a weapon, like a baby on his close-call head. We could


blame the brains of the operation, press them to the passenger


seat in the name of self-defense. We’ll, of course, withhold


the brain-dead body from his mother’s holding. It’s unlike her


to evidence him against him, twiddling her unarmed American


thumbs into a hospital-white quiet. When the respirator runs


out of breath, he’ll catch it like a car chase, like the body


before the body of an almost-uncle, one who wasn’t


running but at rest. Thanksgiving will pass before


Thanksgivings, the driveway will empty for a lifetime


of finally-Friday dinners to go uneaten, but come


Monday his murderers will have to drive themselves


to work and so, too, his Baba.


SOPHIE SARDARI holds a BA in Linguistics from the University of Virginia. This makes her a poet on weekdays, a muse on the weekends, and a linguist on a technicality. Her work has appeared or is forthcoming in The Harvard Advocate, La Piccioletta Barca, Columbia Journal, and Poetry Online.







 
 
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