- Olivia Brooks
- Oct 21
- 3 min read
Updated: Oct 30
Creation Story
We drank nothing but fast moving water,
ate only berries we’d seen birds eat.
We were trying to honor our new world.
We juggled eggs but kept dropping them,
so we juggled time instead, which caused
tears in the time-space continuum.
The hair of a few turned white overnight,
others saw strange animals in the sky,
first an emu, then a snarling kangaroo.
To tell stories, we gathered around
a pit and took turns dancing with fire.
Snapping turtles had not been invented yet.
Nor the Northern Lights. Nor a reliable
method of counting that involved
more than ten dirty fingers and ten dirty toes.
Climbing a tree was a prayer to apples.
Chopping down a tree was a prayer
to fuel, which allowed us to dance longer
with fire, especially on moonless nights.
To make war, we hopped in tight
circles waving a sharpened stick at the sky.
To make a child, a boy kissed his hand
then touched the face of a weeping girl.
Front Yard Sandbox
What lousy children to leave their bulldozers
and trucks outside to weather winter alone
also trolls and Legos and this pink princess set
all things plastic and many things rustable
what lousy children to not guard against ice
and thaw and rain dripping and feral cats
crapping above and worms plotting below
with their seven cold hearts and what lousy
parents to fail to teach pick up your mess skills
and values like thrift and empathy and how
to save five army men from frostbite
and plastic dinosaurs from malnutrition
also likely never fretting about their own dead
parents planted sixty cold miles north
and what a lousy son I’ve been when did I last
spend ten minutes with my buried mother
and ply her with silk flowers and how long
has it been since I paused to play like a child
how long since I picked up a plastic horse
like this purple beauty and blew sand from
her eyes and galloped her around the front
yard like Pegasus are you happy Sister Horse
and isn’t this sunset beautiful like a friendly
fight between Van Gogh and Monet
who will win never mind my money is on
Joan Mitchell so I ooh and ahh about
the epic apocalyptic colors then I tuck
this horse in beside a maimed Barbie
and dig till I find Barbie’s missing leg
and plant it above them both like a flag
on the moon dear lunar orb dear guardian
of mysteries shed light on our messes oh
how we need someone to comfort us in
the dead of night don’t you dare fly out of orbit
If Lake Bonneville Returns
Water will once again cover three mountain
states and drown thousands of tumbleweed
towns like this one, neighborhoods punctuated
by trampolines and grills, lemonade stands
and drowsy cats. If Lake Bonneville returns,
I’ll bivouack in the desolate foothills
with my beloved and stare at roiling waves,
wondering how much higher can brackish
waters rise? If Lake Bonneville returns,
sea monsters will stage a come-back,
or our belief in them, and we’ll start seeing fins
and tentacles everywhere. If Lake Bonneville
returns, we’ll triple our burnt offerings
to the greedy gods of mishap and worship,
the white-faced ibis bright as a priest.
If Lake Bonneville returns, I’ll glide half
a mile in a stolen canoe to where my house
sits under the waves. If chubs and catfish
refuse to bite, maybe I’ll drag up old love
letters, a sprinkler head, my wife’s mungy
shirt. If Lake Bonneville returns, I’ll dream
of electricity and the Great Before, how
we used to wile away Sunday afternoons,
perfecting gravies and ragus, then climb
the stairs to our bedroom to fashion
children after ourselves. If Lake Bonneville
returns, we’ll recall the naïve creatures
we used to be, snuggling up with a heaven
of podcasts for a late morning run.
What hubris, to stare across acres of benign
sunlight, into the future, not once
imagining the terrible rains that will come.

LANCE LARSEN, former poet laureate of Utah, grew up in the West, mowing lawns, delivering newspapers, and dreaming of catching Bigfoot on film. His sixth poetry collection, Making a Kingdom of It, appeared in December with Tampa. His awards include a Pushcart Prize and fellowships from Ragdale, the Anderson Center, Sewanee, and the National Endowment for the Arts. He teaches at Brigham Young University and likes to fool around with aphorisms: “A woman needs a man the way a manatee needs a glockenspiel.” Sometimes he juggles.





