The Only Confession
I did something wrong I carved a name
into a tree and it wasn’t even mine
the name belonged to someone
I used to love the tree
belonged to no one at all
and I wept as soon as I dug in
the knife how hard I tried to make
the vowels sing but the old tree
said nothing it was both witness
and victim it was one of those trees
with too many hearts too many
couples leaving so cruelly
their initials I believe in a poem
there’s room for only one heart
in this way it’s like a person
let’s call her Jeanne
The Only Piccolo
I knew a man who died was
a conductor he made everyone love
to play music when he lifted his arms
they got louder when he crouched
they whispered away like mice
the woman playing the piccolo was
very close to this man after the funeral
I offered you can stay with me I was
in love with her loss and mine
the way we lifted our arms to share
impressions of him and maybe bring
him back at midnight like mice
we crawled into the wall and then
whispered his name it was not love
we made much too quiet I think
the house empty even of us
Ben Purkert is the author of For the Love of Endings (Four Way Books), named one of Adroit's Best Poetry Books of 2018. His poems appear in The New Yorker, Poetry, Kenyon Review, Tin House Online, Ploughshares, and elsewhere. A contributing editor at Guernica, he is the founder of Back Draft, an interview series focused on poets and revision. He currently teaches at Rutgers.