41.1 Rochelle Hurt
Mary Cassatt – The Letter (1890-91) aquatint and drypoint print made from three plates [i know that look—like something about to break,...
41.1 Tim Raymond
Crash I have been gifted with misunderstandings. I said that once to my friend Blake, and he said, “I have been gifted with this son’s...
41.1 Andrew Hemmert
After Moving In a room full of boxes, I am listening to the rain falling on my roof for the first time. It's March. Denver doesn't know...
41.1 Andrew Zawacki
[FROM] THESE LATE ECLIPSES THE UNITED STATES are not the greatest poem. Unrest in peace: knee, neck, back, choke, sick, tired, ired....
41.1 Christopher Brean Murray
The Day & the Hour In Cergowa, I considered Iceland's economy. Not for long. I was more concerned with light curve photometry, the way it...
41.1 Nell Smith
Cumberland by Sail Not far from where the paper mill exudes the unrelenting smell of sweet, astringent sawdust, I am anchored just...
41.1 Christopher Blackman
Contemporary Variation of the Flood Myth I watch as not light but brightness covers the dominion, blanketing first a few patches and...
41.1 Masthead
Masthead Southeast Review, Vol. 41.1 EDITOR Laura Biagi (@LauraJBiagi) ASSISTANT EDITOR Amanda Hadlock (@AmandaHadlock2) ART EDITOR Haley...
41.1 Readers
Readers Southeast Review, Vol. 41.1 Gabrielle Aboki Sarah Bliss Marcia Bronstein Kelly Chamorro Thomas Cowan Samantha Crawford Bertha...
41.1 Interns
Interns Southeast Review, Vol. 41.1 Alessandra Cardelli Jasmine Loriz Andy Mills Arthur Noriega Taylor Tieder Sophia Upshaw