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This Is Not Our Usual Pace


 

I figure the only way to do this authentically is to do it like this: Lola’s in my lap, one hand shoved up my t-shirt sleeve, her fist full of my armpit hair, and she’s the one shrieking while she pulls with all her five-month-old might.  I’m typing one-handed—and my eyes are watering from the pain.  She was born at the very end of December, and since then I’ve written one two-page story.  Listen, I’m not complaining: quite the opposite.  I love my daughter, I love her like crazy—even when she’s tearing my armpit hair out at its roots.  My wife and I are fortunate enough to reached a point in our lives where we have jobs that for the last five months have required of us only two days of on-site work a week, and during those months we’ve traded off taking care of the baby, each of us on duty when the other is off at work.  I’ve had time to one-hand the aforementioned two-page story with Lola in my lap, and my wife has written one poem, also managed one-handed with the baby in the lap.  This is not our usual pace.
 
An update: Lola has now released my armpit hair, though she’s keeping her hand up my sleeve—just in case—while she calmly sucks her fist.
 
I wrote my novel Yellow Jack over two years of desk-job lunch hours, so I know how to plan: I finished a novel in late August, 2005, started roughing-out a new book in early September, got an “outline” done near the time I celebrated my thirty-seventh birthday on 28 November 2005, and then put that outline in a file folder/time capsule labeled DO NOT OPEN UNTIL 15 MAY 2006.  By the time you read this I will be—knock wood—hard at work.
 
An update: Lola is asleep.

 



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Josh Russell’s novel Yellow Jack (W.W. Norton & Company) was a Booksense 76 Pick and a Borders New Voices selection, and was chosen as one of Barnes & Noble.com’s Best Books of the Year. He was the 2000 Bread Loaf Writers’ Conference Shane Stevens Fellow in the Novel.  Russell teaches fiction and nonfiction writing at Georgia State University.