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    <title>The Southeast Review Online</title>
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    <id>tag:southeastreview.org,2009-06-24://1</id>
    <updated>2012-02-02T19:45:56Z</updated>
    <subtitle>The online companion to The Southeast Review.</subtitle>

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<entry>
    <title>Anne Lakewood</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2012/01/anne-lakewood.html" />
    <id>tag:southeastreview.org,2012://1.391</id>

    <published>2012-02-01T04:25:44Z</published>
    <updated>2012-02-02T19:45:56Z</updated>

    <summary>Winter 2011 Writing Regimen Contest Winner At the end of every month-long writing regimen for adults, participants are invited to submit up to three of their best regimen-inspired pieces for a chance at publication on southeastreview.org. After sifting through the excellent submissions from this winter&apos;s re-run, we chose one poem to display on our website. We are proud to announce that Anne Lakewood is our most recent winner. Anne Lakewood, Winter 2011 WinnerAnne Lakewood was raised in upstate New York and she lives in Northern California. When she’s not working as a hydrogeologist, she enjoys meeting with other writers and attending local writing festivals. In 2006, she received an MFA in Creative Writing from Saint Mary’s College of California. “You Bought a Gun” is her...</summary>
    
    
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<entry>
    <title>SEROnline, Winter 2012</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2012/01/seronline-winter-2012.html" />
    <id>tag:southeastreview.org,2012://1.390</id>

    <published>2012-01-01T21:50:28Z</published>
    <updated>2012-02-01T04:36:28Z</updated>

    <summary><![CDATA[ Study for Iron Pressesteel and wood, 2011Jin LeeLee's sculpture is&nbsp;process-driven; the concepts that propel her work are expressed less in the finished object than in the making. This piece, as with the others in the Iron Presse series, is the result of Lee&nbsp;driving wood wedges between steel plates, a representation of overcoming repression. Jin Lee is expected to finish her MFA in sculpture at the Academy of Arts University this spring. She lives and works in San Francisco.***IN THIS ISSUE&nbsp;&nbsp;Spencer Wise&nbsp;interviews&nbsp;Leslie EpsteinJessica Reidy&nbsp;interviewsJeanne Larsen&amp;in our new hip-hop feature:Chris MinkinterviewsDessaJohn R. BeardsleyinterviewsWatskyALSOAvni VyasreviewsAbout the Dead by Travis MossottiCraig BlaisreviewsMule by Shane McCraeJohn R. Beardsleyreviewstell a pitiful story by Patrick MoranJie LiureviewsSend Me Work by Katherine KarlinMadison NattreviewsWhen We Danced on Water by Evan FallenbergJessica Reidyreviews&nbsp;Nox...]]></summary>
    
    
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<entry>
    <title>Book review: Mule by Shane McCrae</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2012/01/book-review-mule-by-shane-mccr.html" />
    <id>tag:southeastreview.org,2012://1.389</id>

    <published>2012-01-01T21:19:13Z</published>
    <updated>2012-01-01T23:13:51Z</updated>

    <summary><![CDATA[Shane McCrae. Mule. Cleveland State University Poetry Center, 2011.Reviewed by Craig Blais Mule, Shane McCrae’s first book of poetry, is a sequence of elliptical lyrics that deals, mostly, with the subjects of growing up bi-racial in Texas, fathering a special-needs child, getting married, and going through a divorce. These subjects are mostly dealt in reverse chronological order, so that the first poem in the first section begins, “And we divorced…”, while five out of the six poems in the second section begin, “We married…” &nbsp; If the content of McCrae’s poetry is domestic, the themes are more often about the universal, almost epic, struggle that happens within that sphere when we strive for a sense of place and belonging in an imperfect society, and when...]]></summary>
    
    
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<entry>
    <title>Book Review: When We Danced on Water by Evan Fallenberg</title>
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    <id>tag:southeastreview.org,2011://1.388</id>

    <published>2011-12-31T01:57:14Z</published>
    <updated>2012-01-02T01:31:35Z</updated>

    <summary><![CDATA[ Evan Fallenberg. When We Danced on Water.&nbsp;Harper Collins,&nbsp;2011.Reviewed by Madison NattEighty-four year old Teo is a man set in his ways, staunchly devoted to routine. He has had the same housekeeper for 25 years, goes to the same café every day to order the same drink, and has written to his sister on the same stationary for decades so that their correspondence forms “remarkably uniform stacks.” Teo was once a great ballet dancer and is now a world-renowned choreographer; repetition and attention to detail have shaped him. In many ways, Vivi appears to be his polar opposite. A forty-two year old artist working as a waitress, Vivi’s path crosses Teo’s when she takes over his section at the café. Vivi hates the mundane and...]]></summary>
    
    
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<entry>
    <title>Book Review: Nox by Anne Carson</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/12/book-review-nox-by-anne-carson.html" />
    <id>tag:southeastreview.org,2011://1.387</id>

    <published>2011-12-31T01:39:03Z</published>
    <updated>2012-01-06T03:30:47Z</updated>

    <summary><![CDATA[Anne Carson. Nox.&nbsp;New Directions, 2010.Reviewed by Jessica Reidy When a poet is a sure hit like Anne Carson, I don’t feel compelled to read reviews before I buy the book. Knowing it is there is all I need. So when her book arrived in the post one afternoon, I tore through the tightly-bound packaging and unearthed a silvery cardboard box. A strip of a home photo (a boy standing in a bathing suit), smeared with gold, rests above the faint-as-smoke title, Nox. I flipped open the lid and saw not so much a book, but a folded length of paper. I closed the lid again, confused. I was not prepared for this. Then, I opened it back up and lifted the paper out. I played...]]></summary>
    
    
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<entry>
    <title>Book Review: tell a pitiful story by Patrick Moran</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/12/book-review-tell-a-pitiful-sto.html" />
    <id>tag:southeastreview.org,2011://1.386</id>

    <published>2011-12-31T00:33:07Z</published>
    <updated>2012-01-02T00:46:57Z</updated>

    <summary><![CDATA[ Patrick Moran. tell a pitiful story. Midwestern Poet's House,&nbsp;2011.Reviewed by John R. BeardsleyPatrick Moran’s tell a pitiful story conjures something of a lost world: each of the poems in this, Moran’s first collection, are inspired (and preceded in the text) by symbols from the ideographic system used by American hobos in the early twentieth century. Moran translates these symbols for us, explicating the open and unimaginable path in short lyric bursts that recall both folk song and blues, that travel down the page in clipped lines, channeling the steady, rhythmic clack of train cars in motion. The story that unfurls through the collection is the story of our own meandering, the portents of our future archaic, indecipherable; crude marks scratched in chalk or coal...]]></summary>
    
    
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<entry>
    <title>Dessa</title>
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    <id>tag:southeastreview.org,2011://1.385</id>

    <published>2011-12-31T00:07:04Z</published>
    <updated>2012-01-01T23:12:57Z</updated>

    <summary><![CDATA[ Interviewed by Chris MinkDessa&nbsp;is the author of Spiral Bound&nbsp;(2009), as well as the writer, rapper, and singer of A Badly Broken Code&nbsp;(2010) and Castor, The Twin&nbsp;(2011). She holds a B.A. in philosophy from the University of Minnesota and currently teaches at the Institute of Production and Recording and the McNally Smith College of Music. She belongs to the rap collective Doomtree.&nbsp; Q: What was it like growing up in Minneapolis? The city is known for its support of the arts.&nbsp;Were you a part of that artistic community at a young age? Can one grow up in a city like&nbsp;Minneapolis and not be influenced by that culture?A: As a teenager, I was something of a loner, which limited my awareness of the arts scene here....]]></summary>
    
    
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<entry>
    <title>Watsky</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/12/watsky.html" />
    <id>tag:southeastreview.org,2011://1.384</id>

    <published>2011-12-30T23:09:43Z</published>
    <updated>2012-01-02T02:40:16Z</updated>

    <summary><![CDATA[ Interviewed by John R. BeardsleyGeorge Watsky&nbsp;is a writer and performer who believes in the equal power of the tear and the belly laugh. Born and raised in San Francisco and now based in Los Angeles, he aims to cross-pollinate the stage, screen and stereo with work that speaks to both the humor and frustrations of modern life. He was featured on Season 6 of Russell Simmons Presents Def Poetry on HBO, and was the 2006 Youth Speaks Grand Slam Poetry Champion, 2006 Brave New Voices International Poetry Slam Champion, and performed in a record six consecutive Youth Speaks Grand Slam Finals. His debut poetry collection and CD,&nbsp;Undisputed Backtalk Champion, was published by First Word Press in 2006. George Watsky&nbsp;has performed at some of the...]]></summary>
    
    
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<entry>
    <title>Jeanne Larsen</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/12/jeanne-larsen.html" />
    <id>tag:southeastreview.org,2011://1.383</id>

    <published>2011-12-30T21:10:19Z</published>
    <updated>2012-01-02T02:41:17Z</updated>

    <summary><![CDATA[Interviewed by Jessica ReidyJeanne Larsen&nbsp;is the author of Why We Make Gardens (&amp; Other Poems),&nbsp;These Gardens, as well as multiple novels and translations. Her poetry, fiction, and essays have appeared in many journals, and she has received numerous grants and awards, including a National Endowment for the Arts fellowship and the William L Crawford Award. Larsen lives in southeast Virginia and is currently Susan Gager Jackson Professor of Creative Writing at Hollins University. Q: What was the greatest surprise for you while working on Why We Make Gardens (&amp; Other Poems)?A: The way the poems showed up on demand, and then kept on coming. I wrote the sequence over perhaps five years (and did a lot of revising after that) but what I didn’t expect...]]></summary>
    
    
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<entry>
    <title>Book Review: Send Me Work by Katherine Karlin</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/12/book-review-send-me-work-by-ka.html" />
    <id>tag:southeastreview.org,2011://1.382</id>

    <published>2011-12-30T20:13:03Z</published>
    <updated>2012-01-02T00:49:02Z</updated>

    <summary><![CDATA[Katherine Karlin. Send Me Work. Northwestern University Press, 2011. Reviewed by Jie LiuAfter losing her job, her boyfriend, and her apartment, Harriet told her gay friend Izzy another version of Bruce Springsteen’s “Drive All Night”: “I wish God would send me work, send me something I’m afraid to do” (61). The eleven short stories in Katherine Karlin’s debut collection Send Me Work, including Pushcart Prize winner “Bye-Bye, Larry” (2007), center on women’s workday struggles and explore the role of working in their lives. In all of these stories, Karlin demonstrates the magic of depicting vivid characters. Her characters–even minor characters–seem to live among us; readers can truly feel what they feel.&nbsp; The secret of Karlin’s success first lies in the rich details she creates, the...]]></summary>
    
    
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<entry>
    <title>Book Review: About the Dead by Travis Mossotti</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/12/book-review-about-the-dead-by.html" />
    <id>tag:southeastreview.org,2011://1.381</id>

    <published>2011-12-30T19:38:30Z</published>
    <updated>2012-01-01T23:04:56Z</updated>

    <summary><![CDATA[ Travis Mossotti. About the Dead. &nbsp;Utah State University Press, 2011.Reviewed by Avni Vyas In About the Dead, winner of Utah State University’s May Swenson Poetry Award, Travis Mossotti's poems display a range of lyricism and acrobatics that tackle the levity and gravitas of the everyday. Mossotti’s language, form and sound push against the reader's expected map of contemporary verse. Readers are guided through a mountain landscape, a family history, small towns, Appalachia, and also the bright, unexpected pockets of language, which offer as much clarity as they do mirth.The book’s preamble, "Decampment," locates the reader in South Carolina by the voice of a man who grew up in a forest populated by animals, streams, and ghosts. Through "Decampment," Mossotti introduces his readers to the...]]></summary>
    
    
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<entry>
    <title>Nadia Ibrashi</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/11/nadia-ibrashi.html" />
    <id>tag:southeastreview.org,2011://1.380</id>

    <published>2011-11-22T20:57:40Z</published>
    <updated>2011-11-23T04:54:38Z</updated>

    <summary>Fall 2011 Regimen Contest Winner</summary>
    
    
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<entry>
    <title>Joe Vallese</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/11/joe-vallese.html" />
    <id>tag:southeastreview.org,2011://1.379</id>

    <published>2011-11-04T22:21:06Z</published>
    <updated>2011-11-04T22:23:37Z</updated>

    <summary><![CDATA[ Blood, Brothers &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; From&nbsp;The Southeast Review&nbsp;Volume 29.2&nbsp; I. Big Brother has just told me that I will be—but did not ask me to be—one half of his act for the Senior Talent Show. “You’ll be Jon Belushi, of course,” he says, twisting a finger into my soft stomach, “and I’ll be Dan Aykroyd.”&nbsp; I have never seen The Blues Brothers, so this elaboration carries no clarity, no comfort. I am eight years old. Big Brother is seventeen. Later, he sits me on the couch and puts on a scratchy VHS copy of the movie. He fast forwards to the scene we’re to emulate on stage in less than a week. These two men, Jake and...]]></summary>
    
    
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<entry>
    <title>Kimberly Long Cockroft </title>
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    <id>tag:southeastreview.org,2011://1.378</id>

    <published>2011-11-04T22:16:57Z</published>
    <updated>2011-11-04T22:18:45Z</updated>

    <summary><![CDATA[ Patron Saint of Trees From&nbsp;The Southeast Review&nbsp;Volume 29.2&nbsp;&nbsp; He always liked pretty things.&nbsp; When we were kids and Stephanie came over in that pair of heels, right away he loved those shoes.&nbsp; They delighted him more than anything, more than when he thought he found a mermaid in the shallow waters of the Puget Sound.&nbsp; Because he was just a kid, he could love things that much.&nbsp; It’s only when you get older that you start parsing yourself out, like you’ve got limited bills in your wallet and you don’t want to spend them all at once.&nbsp; When you’re a kid, to have your love is to spend it right away.&nbsp; You’re not afraid of someone stealing or running off or tricking you out...]]></summary>
    
    
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<entry>
    <title>Annah Browning  </title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/11/annah-browning.html" />
    <id>tag:southeastreview.org,2011://1.377</id>

    <published>2011-11-04T22:07:59Z</published>
    <updated>2011-11-04T22:14:53Z</updated>

    <summary><![CDATA[ THE GODSFrom&nbsp;The Southeast Review&nbsp;Volume 29.2&nbsp; *** &nbsp; We beat on the head &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; of the god with a spoon. &nbsp; It is a little god, so if it bites it won’t &nbsp; break the skin. The teeth &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; are not fully formed, &nbsp; says Annie. So there’s still wishing in the bowels of the dirt. I nod back. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Oklahoma, I say, our word, &nbsp; and then the god’s small eyes &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; slide back. Just an infant, &nbsp; I say. The trees around us &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; all start shaking leaves.&nbsp;...]]></summary>
    
    
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<entry>
    <title>Philip Belcher</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/11/philip-belcher.html" />
    <id>tag:southeastreview.org,2011://1.376</id>

    <published>2011-11-04T22:01:34Z</published>
    <updated>2011-11-04T22:05:19Z</updated>

    <summary><![CDATA[ To Dr. Paulson on the Eve of Surgery From&nbsp;The Southeast Review&nbsp;Volume 29.2&nbsp; For a few hours starting at 6 A.M., I will break my vow.&nbsp; You should have and hold my wife as if she were your own.&nbsp; &nbsp; Instead of asking her to count back from ninety-nine, let her hum herself into anesthesia’s yellow maze.&nbsp; &nbsp; Suggest an old movie tune; she will know it.&nbsp; The more obscure, the better.&nbsp; Fill the O.R. with Sinatra.&nbsp; She won’t mind. &nbsp; Arrange the bloom of lights to terrify the shadows conspiring to darken your eyes, and rinse her free of every germ &nbsp; spoiling to mar your work. Through the length of your body, feel a stiff tug as you pull the scalpel &nbsp; through...]]></summary>
    
    
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<entry>
    <title>Sitting in the Stands: An Interview with Leslie Epstein</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/10/sitting-in-the-stands-an-inter.html" />
    <id>tag:southeastreview.org,2011://1.375</id>

    <published>2011-10-21T04:22:07Z</published>
    <updated>2012-01-01T23:03:49Z</updated>

    <summary><![CDATA[@font-face { font-family: &#8220;Times New Roman&#8221;; }@font-face { font-family: &#8220;Calibri&#8221;; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 10pt; text-align: justify; font-size: 14pt; font-family: &#8220;Times New Roman&#8221;; }p.MsoHeader, li.MsoHeader, div.MsoHeader { margin: 0in 0in 10pt; text-align: justify; font-size: 14pt; font-family: &#8220;Times New Roman&#8221;; }p.MsoFooter, li.MsoFooter, div.MsoFooter { margin: 0in 0in 10pt; text-align: justify; font-size: 14pt; font-family: &#8220;Times New Roman&#8221;; }table.MsoNormalTable { font-size: 10pt; font-family: &#8220;Times New Roman&#8221;; }span.HeaderChar { font-size: 14pt; }span.FooterChar { font-size: 14pt; }div.Section1 { page: Section1 Interviewed by Spencer Wise&nbsp;On March 13th, 2010 in Fort Meyers, Florida at the Red Sox vs. Pirates Spring Training game, I interviewed one of my literary idols, Leslie Epstein, who also happens to be the father of Theo Epstein, General Manager of the Red Sox. As a...]]></summary>
    
    
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<entry>
    <title>SEROnline, Fall 2011</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/10/seronline-fall-2011.html" />
    <id>tag:southeastreview.org,2011://1.374</id>

    <published>2011-10-07T17:52:27Z</published>
    <updated>2011-12-08T05:31:15Z</updated>

    <summary>milk #11, 13&quot; x 16&quot; from &quot;Milk Series&quot; (16 paintings total)acrylic on canvas, 2011Rebecca AdamsAdams collects and catalogues vintage stock photography and film stills, which are the source of all her images. Frequently dealing in sequences and series, her work deals with different forms of repetition. She lives in Providence, RI. ***Please join us in congratulating The Southeast Review&apos;s 2011 Pushcart Nominees!Volume 29.1Poetry: “Do Not Leave This Box,” by Heather June GibbonsFiction: “White Rabbit,” by Kristin FitzPatrickNonfiction: “What Are the Young Muslims Doing Today?” by Zakariya LoutfiVolume 29.2Poetry: “Fishsuit,” by Charles Harper WebbFiction: “Role Play,” by Douglas SilverNonfiction: “Blood, Brothers,” by Joe Vallese***Our latest issue, 29.2, features poetry by Charles Harper Webb, intricate panoramic art by Echo Miriam Railton, interviews with Leslie Epstein, Mark Halliday,...</summary>
    
    
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<entry>
    <title>David Kirby</title>
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    <id>tag:southeastreview.org,2011://1.373</id>

    <published>2011-10-05T22:44:38Z</published>
    <updated>2011-10-06T12:45:35Z</updated>

    <summary><![CDATA[David Kirby is the recipient of several Pushcart Prizes, the Guy Owen Prize, the Kay Deeter Award, and several fellowships from both the Guggenheim Foundation and the National Endowment for the Arts, among other honors. He has published numerous collections of poetry, as well as criticism, essays, and children's literature, and has been widely anthologized. Matthew Dickman said of Kirby's&nbsp; most recent book, Talking About Movies with Jesus, that "Reading David Kirby's poetry is like being at a really great party where people are smart and funny and sad and somehow made out of both real life and some Holy Spirit from outer space." Kirby teaches at Florida State University and lives in Tallahassee, FL, with his wife, poet Barbara Hamby.Listen as he reads some...]]></summary>
    
    
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<entry>
    <title>Cynie Cory</title>
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    <id>tag:southeastreview.org,2011://1.372</id>

    <published>2011-10-05T22:26:41Z</published>
    <updated>2011-10-06T14:01:21Z</updated>

    <summary>Cynie Cory is the author of American Girl, a collection of poems which was a 2003 New Issues Poetry Prize Selection. Kathryn Harrison says of American Girl, &quot;Cynie Cory’s poems dare to approach the sublime—the sublime in madness, in desire, in grief. Laments, love letters, eulogies—all of these surface in the seascape of American Girl.&quot; Her poetry has appeared in The American Poetry Review, Another Chicago Magazine, Black Warrior Review, Crazyhorse, New American Writing, Shade, Verse, and Western Humanities Review. She is a graduate of the Iowa Writers&apos; Workshop and earned her Ph.D. at Florida State University. She currently lives in Tallahassee, FL.Listen as she reads some of her recent work. [download]...</summary>
    
    
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</entry>





<entry>
    <title>Book Review: Broken Glass Park by Alina Bronsky</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/10/book-review-broken-glass-park.html" />
    <id>tag:southeastreview.org,2011://1.371</id>

    <published>2011-10-04T00:09:03Z</published>
    <updated>2011-10-06T23:05:24Z</updated>

    <summary>Alina Bronsky. Broken Glass Park. Europa Editions, 2010.Reviewed by Darby PriceEvery now and then, a novel comes along that is so authentic, so well-crafted and real, that I can’t stop thinking about it once I’ve read it. Alina Bronsky’s Broken Glass Park is one such book. Stunning and gritty, it balances the tough life of a teenager growing up in the wrong side of Berlin with overarching themes of love and redemption. Bronsky’s protagonist is Sascha Naimann, an intelligent young woman who lives in Berlin&apos;s Russian ghetto, a neighborhood called &quot;The Emerald.&quot; The world that Sascha inhabits is stark and full of unwelcome realities. Prospects are bleak for people her age: “Most of the people who live around here don’t have any dreams at all,”...</summary>
    
    
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<entry>
    <title>Book Review: Stories for Nighttime and Some for the Day by Ben Loory</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/10/book-review-stories-for-nightt.html" />
    <id>tag:southeastreview.org,2011://1.370</id>

    <published>2011-10-03T23:27:00Z</published>
    <updated>2011-10-10T18:42:35Z</updated>

    <summary>Ben Loory. Stories for Nighttime and Some for the Day. Penguin, 2011.Reviewed by Micah Dean HicksA collection of fables and magical tales, Stories for Nighttime and Some for the Day is Ben Loory&apos;s first book. It includes forty brief stories and spans about two hundred pages. The last story in the collection, “The TV,” appeared in The New Yorker last April. Though many of these pieces would qualify as flash fiction—they average just a few pages—Loory&apos;s stories follow an older form. At times, they have the feel of Hans Christian Andersen&apos;s work, if Andersen had lived in a time with UFO and Bigfoot sightings, concrete swimming pools, and television. “The Man Who Went to China” begins with the line, “Once upon a time, a man...</summary>
    
    
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<entry>
    <title>Book Review: Ghost Lights by Keith Montesano</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/10/book-review-ghost-lights-by-ke.html" />
    <id>tag:southeastreview.org,2011://1.369</id>

    <published>2011-10-03T20:28:21Z</published>
    <updated>2011-10-06T23:00:35Z</updated>

    <summary>Keith Montesano. Ghost Lights. Dream Horse Press, 2010.Reviewed by John Beardsley@font-face { font-family: &quot;Times New Roman&quot;; }@font-face { font-family: &quot;ＭＳ 明朝&quot;; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: &quot;Times New Roman&quot;; }table.MsoNormalTable { font-size: 10pt; font-family: &quot;Times New Roman&quot;; }div.Section1 { page: Section1; In Ghost Lights, the debut collection by Keith Montesano, the poet pulls us into a charred and soot-blackened world of rust belt decay, where a multitude of lives and their respective indignities are laid on the examination table for the various speakers&apos; consideration and ours. It is a book of meditations and elegies, spun out in vivid and cinematic narrative. Montesano’s poems take in film, music, and news items, as well as personal and public history, recording the...</summary>
    
    
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</entry>





<entry>
    <title>J. Allyn Rosser</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/10/j-allyn-rosser.html" />
    <id>tag:southeastreview.org,2011://1.368</id>

    <published>2011-10-03T16:57:01Z</published>
    <updated>2011-10-06T23:06:15Z</updated>

    <summary><![CDATA[@font-face { font-family: "Times New Roman"; }@font-face { font-family: "Calibri"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 10pt; font-size: 11pt; font-family: Calibri; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; } Interviewed by Jennifer Schomburg Kanke J. Allyn Rosser@font-face { font-family: "Times New Roman"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1’s most recent collection of poems is Foiled Again.&nbsp; Among her awards are the Wood and Bock Prizes from Poetry, the Peter I.B. Lavan Award from the Academy of&nbsp;American Poets, and fellowships from the NEA and the Lannan Foundation.&nbsp; In 2010-11 she was received a Guggenheim Fellowship.&nbsp; She teaches in the creative...]]></summary>
    
    
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</entry>





<entry>
    <title>Book Review: The Hermit by Laura Solomon</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/10/book-review-the-hermit-by-laur.html" />
    <id>tag:southeastreview.org,2011://1.367</id>

    <published>2011-10-03T16:39:03Z</published>
    <updated>2011-12-30T20:50:27Z</updated>

    <summary>Laura Solomon. The Hermit. Ugly Duckling Presse, 2011.Reviewed by Melinda Kaye WilsonLaura Solomon’s newest collection The Hermit drops its reader into a complicated dreamscape, one in which bats “eat themselves like chicken wings” (14) and “a witch made of sand / returns to the sea” (17). The poems are simultaneously confessional and guarded as they detail the loneliness, anxiety and confusion that their speakers encounter. The title poem expounds on this loneliness yet removes it from the speaker. Solomon writes, “the copper pheasant cries / inconsolably it cries for a mate it cannot find” (4). Rather than predictably discussing suffering in relation to the speaker, Solomon disconnects the heartache from the speaker and attributes it to a bird, allowing both speaker and reader to gain...</summary>
    
    
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<entry>
    <title>Book Review: Silver Sparrow by Tayari Jones</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/09/book-review-silver-sparrow.html" />
    <id>tag:southeastreview.org,2011://1.365</id>

    <published>2011-09-30T12:13:07Z</published>
    <updated>2011-10-06T22:51:00Z</updated>

    <summary><![CDATA[Tayari Jones. Silver Sparrow. Algonquin Books, 2011.Reviewed by Madison Natt.For Dana, the precise meaning of a word is critical. Or, as she puts it, "It matters what you call things." She is careful to explain that her mother, Gwendolyn, is more than just a "wife," that she is also a concubine, whore, mistress, and consort. Dana's father, James Witherspoon, is a bigamist, though with his bottle-neck glasses and stutter, he might seem like an unlikely candidate. If Dana has learned one thing from her parents, "it was that the law didn't understand anything about what passed between men and women."&nbsp;Dana and Gwendolyn are fully aware of James' other family, but his wife Laverne and daughter Chaurisse know nothing of his second life. Dana tells us...]]></summary>
    
    
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</entry>





<entry>
    <title>Book Review: The Book of Ten by Susan Wood</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/09/book-review-the-book-of-ten.html" />
    <id>tag:southeastreview.org,2011://1.364</id>

    <published>2011-09-30T12:09:13Z</published>
    <updated>2011-10-06T22:49:30Z</updated>

    <summary><![CDATA[Susan Wood. The Book of Ten. University of Pittsburgh Press, 2011.Reviewed by Mary ShepardSusan Wood's fourth book of poetry, The Book of Ten, is a meaningful sojourn through the uneasy territory of grief, death, and the ambiguous scorn of an angry-father God. Equipped with disarming wit and a ruthless analysis of her own flaws, Wood's collection exhibits a confessional style intermixed with cinema, blues music, and the West Texas prairie, making this collection a testament to the universal characteristics of grief, rather than a personal reflection. The Book of Ten wrestles with Wood's own roles—mother, daughter, ex-wife— effectively and with a relatable, easy style of prose that will leave readers with the hope that their own self-examination could be as wryly humorous and illuminating.&nbsp;Ten poems,...]]></summary>
    
    
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</entry>





<entry>
    <title>Rhythm and Blues</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/09/rhythm-and-blues.html" />
    <id>tag:southeastreview.org,2011://1.363</id>

    <published>2011-09-30T11:43:41Z</published>
    <updated>2011-10-06T23:07:56Z</updated>

    <summary><![CDATA[Rhythm and BluesJohn CasteenI.&nbsp;&nbsp; &nbsp;(1997)That year the nights were full and fineand myriad of stars.&nbsp; Each afternoon letcrisp light fall across the rippled flanksof sleeping Appaloosa mares, cloud-dappled and lovely.&nbsp; The mares' bodies werethe Blue Ridge mountains.&nbsp; The stars werethe woman I love.&nbsp; This was my ever home,&amp; this poem was ambling around inside it.And like a wave each evening brokeagainst a rain-lashed talus slope of sky.In the soak, anything I say is a falsecognate.&nbsp; You say my name into the nightthat answers mute and darkly as a stone:I believe in the power of the life of the body. John Casteen is the author of For the Mountain Laurel (2011) and Free Union (2009), part of the VQR Poetry Series from The University of Georgia...]]></summary>
    
    
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</entry>





<entry>
    <title>John Casteen</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/09/john-casteen.html" />
    <id>tag:southeastreview.org,2011://1.362</id>

    <published>2011-09-30T10:32:57Z</published>
    <updated>2011-10-04T17:21:00Z</updated>

    <summary>Interviewed by April ManterisJohn Casteen is the author of For the Mountain Laurel (2011) and Free Union (2009), part of the VQR Poetry Series from The University of Georgia Press. His poems have appeared in The Paris Review, Ploughshares, and Best American Poetry. He teaches at Sweet Briar College, where he founded and directs the Sweet Briar Undergraduate Creative Writing Conference. He lives in Earlysville, Virginia, and serves on the editorial staff of Virginia Quarterly Review.Casteen has contributed prose on gun policy, professional ethics, and environmental policy to Slate.com, The Washington Post, The Chronicle of Higher Education, and other magazines and newspapers.Read his poem &quot;Rhythm and Blues&quot; Q: Nature, particularly the local landscape, seems vital to your poetry. What is the relationship, for you, between...</summary>
    
    
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</entry>





<entry>
    <title>C Wallace Walker&apos;s Comics</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/09/c-wallace-walker.html" />
    <id>tag:southeastreview.org,2011://1.361</id>

    <published>2011-09-30T08:44:28Z</published>
    <updated>2011-10-04T17:21:16Z</updated>

    <summary>C Wallace Walker began her writing career in fourth grade by sending complaint letters to companies on behalf of her Pennsylvania Dutch-speaking grandmother; writing success in those days came in the form of complimentary new fan blades and coupons for free cat food and cereal. Now she is the author of clever comics, like the ones featured below. She has written obituaries, edited speeches, and is a technical translator. Her professional stature and desirability were inexplicably enhanced by the seizure and confiscation of her passport and visa in the former USSR. She is a member of the Broadneck Writers’ Workshop and an award-winning screenwriter and poet. Her work has appeared in Monkeybicycle, The Copperfield Review and The Little Patuxent Review, among others. She is the...</summary>
    
    
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</entry>





<entry>
    <title>Chris Wiewiora</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/09/chris-wiewiora.html" />
    <id>tag:southeastreview.org,2011://1.360</id>

    <published>2011-09-13T06:31:12Z</published>
    <updated>2011-09-14T14:36:36Z</updated>

    <summary>If I had to give one word to describe my studies at the University of Central Florida I would use: serendipitous. In the fall of my sophomore year, I took the introduction to creative writing class because my brother, who was an English major, suggested I try it out; in the spring, I entered a poetry workshop because it was the only one available; and at the end of the school year, I was encouraged by a poetry classmate to intern for The Florida Review. I sent an e-mail asking if I could get involved, I was invited to stop by the office, and then I was interviewed for the summer internship by Jeanne Leiby.When I came into The Florida Review office, I had no...</summary>
    
    
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</entry>





<entry>
    <title>Rebecca Hoogs</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/08/rebecca-hoog.html" />
    <id>tag:southeastreview.org,2011://1.358</id>

    <published>2011-08-31T17:13:11Z</published>
    <updated>2011-08-31T17:15:38Z</updated>

    <summary>2011 Poetry Contest WinnerMiss Scarlet She’s tired of all the accusations,all the whodunit, with what, and where.So there’s no Mr. Scarlet to call honey bun,so she wears red, so she might be a whore,but certainly not a murderer. If there’s anything to confess, it’s thatshe fell hard for Plum. He used a word,weapon without a playing piece, to shatterher heart. In the billiards room. Now allshe wants is to ditch this mansion,get a pied-à-terre, a church to solveher sins, and a little mother-of-pearl gunmore delicate than that revolver. Shit,the question should be: who hasn’t done it?...</summary>
    
    
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</entry>





<entry>
    <title>Betsy Denson</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/08/betsy-denson.html" />
    <id>tag:southeastreview.org,2011://1.356</id>

    <published>2011-08-29T21:54:39Z</published>
    <updated>2011-08-29T21:56:30Z</updated>

    <summary><![CDATA[MOTIONFrom&nbsp;The Southeast Review&nbsp;Volume 29.1Your Aunt Sharon had a scar on her right cheek, puffy as cotton, wide as a smile. Your mother just had bruises, but you still worried. When you were twelve, your Aunt Darlene, supposedly the smart one, took up with a fellow straight out of Parchman. Before she left, she tried to explain it to you. “The Chinese had it right,” she said, pointing at a circle with what looked like two fish curled inside. “There’s somebody out there to fit you close as skin, closer even. When you find them, it sets your world to spinning. You can’t get off. You don’t want to.” You didn’t know what she meant then, but later you had a pretty good idea. It was...]]></summary>
    
    
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<entry>
    <title>Brenna Dixon</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/08/brenna-dixon.html" />
    <id>tag:southeastreview.org,2011://1.355</id>

    <published>2011-08-29T21:49:43Z</published>
    <updated>2011-08-29T21:52:29Z</updated>

    <summary><![CDATA[THE WEIGHT OF BIRDSFrom&nbsp;The Southeast Review&nbsp;Volume 29.1Passenger pigeons were thick in the sky the year my father went to war. This time they roosted, stayed, thicker than they’d ever been in our part of the woods. The first night the pigeons settled in around us, I asked Mama when Pop was coming back. She sighed, patted down her apron the way she did, and said, I don’t know, Thomas, and added another stubby carrot to the pot. Go check for eggs.We had a couple of nesting hens in a lean-to out back and I slid my hands beneath them, groping feathers, searching for eggs. There were none. I ran my fingers along the boards, following the grain to the spot where my father had carved...]]></summary>
    
    
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<entry>
    <title>Chuck Carlise</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/08/chuck-carlise.html" />
    <id>tag:southeastreview.org,2011://1.354</id>

    <published>2011-08-29T21:46:11Z</published>
    <updated>2011-08-29T21:47:23Z</updated>

    <summary><![CDATA[STREET GHAZALFrom&nbsp;The Southeast Review&nbsp;Volume 29.1There was music in the stillness, white noise from the street.Our whole lives condensed: boulders pressed to gravel in the street.From my bed, the winter of no heat, waking under smallmountains of patchwork blankets, shivering at the buses on the street.She sends me a line from Kundera: “Road: A strip of ground over whichone walks.” Adds, “not a location, a starting point, your house, my street?”At dusk, cicadas sing loud as air-raid sirens. Puddles gather orange lightfrom street lamps, then scatter it, like tongues of flame in the street.I don’t remember the day I stopped saying her name. Below the window:leaf-rustle underfoot, a screen door rattling shut, quiet in the street.8000 miles from home, I took solidarity however it came: in...]]></summary>
    
    
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<entry>
    <title>Marcela Sulak </title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/08/marcela-sulak.html" />
    <id>tag:southeastreview.org,2011://1.353</id>

    <published>2011-08-29T21:41:50Z</published>
    <updated>2011-08-29T21:43:16Z</updated>

    <summary><![CDATA[IN PRAISE OF THE KEIFFER PEAR From&nbsp;The Southeast Review&nbsp;Volume 29.1You could bust your lip on it,skimming its vast misshapen surfacefor a bump you could plunge your teeth into.Unburnished, yellow-brown as the front yards of August.Drunk, the wasps would back out of it singing.Ours was a shoot off grandpa’s tree, specially bredto endure. His pears made a satisfying clunkin the coffee cans he raised on headless mopsamong the highest branches. There was nothinglike that grainy crunch. The ones we couldn’t getin time we gave to our slobbering cow.In the spring the tree’s white flowersfell and rusted at our feet. Somehowthat made us happy. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Marcela Sulak is the author of two collections of poetry, Immigrant, and the chapbook Of All The Things That Don’t Exist, I Love...]]></summary>
    
    
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<entry>
    <title>Jill Bergkamp</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/08/jill-bergkamp.html" />
    <id>tag:southeastreview.org,2011://1.352</id>

    <published>2011-08-29T21:36:03Z</published>
    <updated>2011-08-29T21:39:09Z</updated>

    <summary><![CDATA[NOCTURNE WITH COFFEE FIELDS AND LIGHTNING From&nbsp;The Southeast Review&nbsp;Volume 29.1The summer our mothers divorce our fathers,fireflies perish. We don’t cup them in our hands,or slip them into empty pickle jars.Instead, we are ruthless and tell ourselvesour fathers would approve. When we watch Out of Africa,our Dads become Robert Redford, fly planes and show uscoffee fields from the clouds. We want to be womenwho leave men, but different from our motherswith their high school French and popover recipes.My mother sent me to live with yours.You want to be sent somewhere with an oceanand a room of your own, but you share a bed with meand turn your back at night to avoid sharing secrets.We never talk of how one week crawled into a summer,or how my...]]></summary>
    
    
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<entry>
    <title>F. Daniel Rzicznek</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/08/f-daniel-rzicznek.html" />
    <id>tag:southeastreview.org,2011://1.351</id>

    <published>2011-08-29T21:15:49Z</published>
    <updated>2011-08-29T21:33:39Z</updated>

    <summary><![CDATA[GRALLOCH From&nbsp;The Southeast Review&nbsp;Volume 29.1Where you crouch inside &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In the end, a horse,the flailing buck, &nbsp;&nbsp;and whether the horseyou cannot taste the air, &nbsp;is cramped with soldiersyour numerous tongues &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;or a simple offeringsulk back on themselves, &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;is less notable thanbut the hunter’s steps &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;the horse itself, the form,calm you, and the scent &nbsp;the city surrounding it,of the knife calms you &nbsp;&nbsp;the acute stillness of it,as it zips across &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;and the people feast,the porcelain belly &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;filter earth back intoand, as promised, the sky &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;earth, unclear nowis clear, ravens wait to spy &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;as to why the conflictonce more in your design &nbsp;began anyway, someonethe end of the end. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;or another’s face.F. Daniel Rzicznek’s books of poetry include Divination Machine (Free Verse Editions/Parlor Press 2009) and Neck of...]]></summary>
    
    
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<entry>
    <title>Jim Dolson</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/08/jim-dolson.html" />
    <id>tag:southeastreview.org,2011://1.350</id>

    <published>2011-08-27T16:44:37Z</published>
    <updated>2011-08-27T17:17:49Z</updated>

    <summary>Summer 2011 Writing Regimen Contest Winner At the end of every month-long writing regimen for adults, participants are invited to submit up to three of their best regimen-inspired pieces for a chance at publication on southeastreview.org. After sifting through the excellent submissions from this summer&apos;s re-run, we chose one prose piece to display on our website. We are proud to announce that Jim Dolson is our most recent winner. Jim Dolson, Summer 2011 WinnerJim Dolson retired from a career in information systems. Now in his mid-60’s, he is pursuing his long latent love of writing. Over the last year he joined his first writers’ group (FSU OLLI), attended his first workshop and attended his first writers’ conference. The 30-Day Writing Regimen was another wonderful learning...</summary>
    
    
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</entry>





<entry>
    <title>Mary Morrissy</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/07/mary-morrissy.html" />
    <id>tag:southeastreview.org,2011://1.349</id>

    <published>2011-07-11T18:24:28Z</published>
    <updated>2011-10-06T23:09:38Z</updated>

    <summary><![CDATA[Interviewed by Suzanne Jamir Mary Morrissy was born in Dublin in 1957. She has published one collection of short stories, A Lazy Eye (London, Jonathon Cape/New York, Scribner, 1993), as well as two novels: Mother of Pearl (Scribner, 1995/Jonathon Cape, 1996); and The Pretender (Jonathon Cape, 2000). Morrissy won a Hennessy Award for short fiction in 1984, a Lannan Literary Prize in 1995, and was shortlisted for the Whitbread Prize in 1996. She lives in London. Q: What role does history play in your inspiration? How do you build a story or a novel upon historical information?&nbsp; A: I won a research fellowship at the Cullman Centre for Scholars and Writers at the New York Public Library in 2005/06 Normal 0 false false false EN-US...]]></summary>
    
    
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</entry>





<entry>
    <title>Melissa Pritchard</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/07/melissa-pritchard.html" />
    <id>tag:southeastreview.org,2011://1.348</id>

    <published>2011-07-02T20:22:48Z</published>
    <updated>2011-07-11T18:16:59Z</updated>

    <summary><![CDATA[The Mystery from which Everything Arises:An Interview with Melissa PritchardInterviewed by Marian Crotty &nbsp; In January 2012, Melissa Pritchard’s eighth book and fourth short story collection, The Odditorium, will be published by the prestigious Bellevue Literary Press, NY. Her work has appeared and been cited in numerous magazines, journals and anthologies, including The Best American Short Stories, The O. Henry Awards: Prize Stories, The Pushcart Prize XXIV, The Prentice Hall Anthology of Women’s Literature, The Paris Review, Conjunctions, Agni, A Public Space, The Nation, O,The Oprah Magazine, and The New York Times Book Review. Later in 2011, her essay “A Solemn Pleasure” will be reprinted in The Inevitable: Contemporary Writers Confront Death, W.W. Norton, edited by Bradford Morrow and David Shields. She has received many...]]></summary>
    
    
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<entry>
    <title>Elizabeth Weld</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/07/elizabeth-weld.html" />
    <id>tag:southeastreview.org,2011://1.347</id>

    <published>2011-07-02T19:48:56Z</published>
    <updated>2011-07-05T22:03:26Z</updated>

    <summary><![CDATA[Looking for Voice: Tips on Writing Query Letters and Synopses for First-Time NovelistsInterviewed by The Southeast Review staff &nbsp; Elizabeth Weld is the Submissions Coordinator at Poisoned Pen Press, located in Scottsdale, Arizona, where she has accumulated firsthand experience with the steps leading up to book publication. While her advice in this interview arises from her specific position at PPP and may not be representative of conventions followed by others in the publishing industry, her unique "insider" perspective sheds informative light on the ins and outs of submitting a novel for publication, a process many novice writers find mysterious.____________________________________________________________________________ Q: What is your position at Poisoned Pen?A:&nbsp; I'm the Submissions Coordinator. This means that I read every query that comes into the press and decide...]]></summary>
    
    
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<entry>
    <title>Nat Sobel</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/07/nat-sobel-literary-agent-with.html" />
    <id>tag:southeastreview.org,2011://1.346</id>

    <published>2011-07-02T19:26:02Z</published>
    <updated>2011-07-05T22:04:30Z</updated>

    <summary><![CDATA[Deal with Rejection—and Keep Going: An Interview with Nat SobelInterviewed by Suzanne Jamir &nbsp; Nat Sobel is an agent with Sobel Weber Associates, Inc., a &nbsp; boutique agency in New York City. Sobel Weber Associates represents a wide range of clients, including Julianna Baggott, Tom Franklin, and James Ellroy. Sobel has been in the publishing industry for decades, and has both worked for larger publishing houses and started his own agency. Sobel is an active, hands-on agent who frequently speaks with interviewers and writers about the process of finding an agent.____________________________________________________________________________ Q: How has the publishing market changed for both short story collections and novels over the past thirty to forty years? Do you find your agency a part of this trend or separate from...]]></summary>
    
    
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<entry>
    <title>Robin Hemley</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/07/robin-hemley.html" />
    <id>tag:southeastreview.org,2011://1.345</id>

    <published>2011-07-01T20:48:17Z</published>
    <updated>2011-07-01T20:57:56Z</updated>

    <summary>Robin Hemley is the winner of a Guggenheim Fellowship for his work on DO-OVER!. He has published seven books, and his stories and essays have appeared in the New York Times, New York Magazine, Chicago Tribune, and many literary magazines and anthologies. Robin received his MFA from the Iowa Writers Workshop; he currently directs the Nonfiction Writing Program at the University of Iowa and lives in Iowa City, IA.Listen as he reads some of his recent work. [download]...</summary>
    
    
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<entry>
    <title>Review of Adam Moorad&apos;s Oikos</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/07/review-of-adam-mooradoikos.html" />
    <id>tag:southeastreview.org,2011://1.344</id>

    <published>2011-07-01T18:43:19Z</published>
    <updated>2011-07-05T21:59:53Z</updated>

    <summary><![CDATA[Adam Moorad. Oikos. nonpress, 2010. $9.00.reviewed by Spencer Dew The word “home” sounds strange to Lamb, living with his girlfriend and an unemployed buddy, some dead houseplants, some videogames, the conflict and heroic accomplishments of which clash with the general sloth and apathy of this household. His family—the other meaning for the Greek “oikos”—is likewise cobbled together. Lamb’s mother died in childbirth. His father, a former minister, has remarried, and Lamb and his brother are thus somewhat estranged from their father and this new woman. Standing around during the preparation for a “family” dinner is as awkward as standing around in his “home” trying to figure out what to do in the hours before sleep.&nbsp; Lamb thus sees himself as a man out of place....]]></summary>
    
    
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</entry>





<entry>
    <title>SER Online, Summer 2011</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/06/ser-online-summer-2011.html" />
    <id>tag:southeastreview.org,2011://1.343</id>

    <published>2011-06-30T17:50:20Z</published>
    <updated>2011-09-26T20:52:14Z</updated>

    <summary><![CDATA["Libraries of Health" (2008) Altered Books, 10-3/4" x 10-1/4" x 8-1/2"by artist Brian DettmerSummertime is often a productive time for writers, especially those who teach since the break between semesters can be the perfect opportunity to focus on their first love: crafting poems, stories, essays, novels, and screenplays that have been simmering throughout the busy year. We hope this summer issue of SER Online will add fuel to your writing fire that will last until Autumn's chill is back in the air and beyond. In this summer issue, we reveal the winning entry from our AWP 2011 Post-It Contest, list the winners and finalists of our 2011 Poetry, Narrative Nonfiction and World's Best Short-Short Story Contests, and showcase Q&amp;As with professionals from the writing industry,...]]></summary>
    
    
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</entry>





<entry>
    <title>Janice Eidus</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/janice-eidus.html" />
    <id>tag:southeastreview.org,2011://1.342</id>

    <published>2011-05-27T20:00:14Z</published>
    <updated>2011-05-27T20:14:33Z</updated>

    <summary>Jeanne and I called ourselves &quot;The Locked Elbow Girls.&quot; This meant that whenever we got together we immediately locked our elbows tight—even before we kissed hello. We did this to symbolize the fact that we were good friends who &quot;had each other&apos;s back.&quot; Beneath our respective auras of bravado and confidence, we both felt vulnerable and in need of comfort. We had made a commitment to each other. I miss her.—Janice Eidus, author of The Last Jewish Virgin[Read more of In Memoriam for Jeanne Leiby]...</summary>
    
    
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</entry>





<entry>
    <title>William Giraldi</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/william-giraldi-2.html" />
    <id>tag:southeastreview.org,2011://1.341</id>

    <published>2011-05-19T20:15:11Z</published>
    <updated>2011-05-19T20:20:42Z</updated>

    <summary>C.S. Lewis begins his meditation A Grief Observed with the immortal line, &quot;No one ever told me that grief felt so like fear.&quot; My life has been so pervaded by the young dead—my parents, relatives, friends—that you&apos;d think I&apos;d have grown quite accustomed to the news, the phone call in the night, the fanged grief that bites like fear. Why fear? Not because the newly dead put us in mind of our own mortality, the earth that waits for us, our inevitable exit, but because we are afraid of living without that loved one, afraid of the vacuum, of experiencing the world with a new black hole in it. Jeannie&apos;s absence is indeed a black hole for me: it has a frightful gravity. We won&apos;t...</summary>
    
    
        <category term="Memoriam-Leiby" scheme="http://www.sixapart.com/ns/types#category" />
    
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</entry>





<entry>
    <title>Sean Prentiss</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/sean-prentiss.html" />
    <id>tag:southeastreview.org,2011://1.340</id>

    <published>2011-05-19T20:05:02Z</published>
    <updated>2011-05-19T20:10:40Z</updated>

    <summary>Jeanne Leiby did not change my life as a writer, and I only met her once, at AWP Washington D.C., so I can barely claim to know her. But in the fifteen minutes of talking, she was so excited and lively the entire time, so much so that she asked me to consider starting a major project with her once she realized we had similar connections. And by the end of the conversation, she gave me a Southern Review tee shirt to wear (only if I promised to take a photograph of me wearing it and send it to the magazine&apos;s website). Jeanne and I never did work on the project. But I did send the Southern Review a photograph of me rock climbing in...</summary>
    
    
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</entry>





<entry>
    <title>John Dufresne</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/john-dufresne-3.html" />
    <id>tag:southeastreview.org,2011://1.339</id>

    <published>2011-05-16T19:39:05Z</published>
    <updated>2011-05-19T20:11:25Z</updated>

    <summary>I expected to see Jeanne Leiby at least twice a year, at AWP and at the Sanibel Island Writers&apos; Conference. Every time we met we picked up our last conversation in mid-sentence. And we weren&apos;t finished talking. I don&apos;t like this silence. I want my friend back, goddamnit. Jeanne was generous and funny; she was honest, smart, and without pretense. Those of us she left behind will be telling Jeanne Leiby stories to each other for a long, long time.—John Dufresne, author of Requiem, Mass.[Read more of In Memoriam for Jeanne Leiby]...</summary>
    
    
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</entry>





<entry>
    <title>James Claffey</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/james-claffey.html" />
    <id>tag:southeastreview.org,2011://1.337</id>

    <published>2011-05-13T17:53:47Z</published>
    <updated>2011-05-13T18:02:36Z</updated>

    <summary>Jeanne Leiby changed me as a writer because she told me the unvarnished truth, always. I met with Jeanne frequently in her office at the Old President&apos;s House where she edited The Southern Review, and more often than not we&apos;d step outside so she could smoke a cigarette and kvetch about the latest political issue, or the amazing excerpt from Mark Richard&apos;s House of Prayer No.2 that she was so proud of publishing in the review and trumping Harper&apos;s in the process. Jeanne loved writers. She loved Bonnie Jo Campbell. She loved William Gay. She loved Philip Levine. She loved Janice Eidus. Jeanne hated my metaphors. I hated my metaphors, too. With her guidance I wrote my MFA thesis, a novel. The pages she marked...</summary>
    
    
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</entry>





<entry>
    <title>Review of William Trowbridge&apos;s Ship of Fool</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/review-of-william-trowbridges.html" />
    <id>tag:southeastreview.org,2011://1.336</id>

    <published>2011-05-11T16:42:53Z</published>
    <updated>2011-07-02T22:11:22Z</updated>

    <summary>@font-face { font-family: &quot;Times New Roman&quot;; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: &quot;Times New Roman&quot;; }p.MsoTitle, li.MsoTitle, div.MsoTitle { margin: 0in 0in 0.0001pt; text-align: center; font-size: 12pt; font-family: &quot;Times New Roman&quot;; font-weight: bold; }table.MsoNormalTable { font-size: 10pt; font-family: &quot;Times New Roman&quot;; }div.Section1 { page: Section1; }William Trowbridge. Ship of Fool. Red Hen Press, 2011. $18.95. reviewed by April Manteris EveryfoolIn his latest collection, Ship of Fool, William Trowbridge paddle-shocks life back into the old metaphor “hell on earth,” and Hell is hilarious. Navigating the peaks and tar pits of how to be a hopeful sap in a hopeless world, Fool takes us on a three part tour of tragic humanity—at least when he’s not busy qualifying for the “X-tra Special...</summary>
    
    
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</entry>





<entry>
    <title>AWP 2011 Post-It Contest Winners and Finalists</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/post-it-winners.html" />
    <id>tag:southeastreview.org,2011://1.335</id>

    <published>2011-05-11T16:25:35Z</published>
    <updated>2011-07-04T20:51:22Z</updated>

    <summary><![CDATA[The Southeast Review had a wonderful time at the Associated Writing Programs conference in Washington, DC meeting contributors, writers, editors, and hosting three literary agents at our table for brief author consultations. We also sold out of every new issue we brought with us (29.1), and gave away quite a few back issues. Below, we caught Poetry Editor Jacob Newberry chatting with a visitor in the bookfair. &nbsp; Many thanks to everyone who stopped by the table, and to everyone who participated in our Post-It Contest. This year's contest challenged entrants to write a brief love letter or break-up note, and we invited anyone and everyone to vote on their favorites. Our congratulations go out to to this year's contest winner, Nick Phillips, whose humorous...]]></summary>
    
    
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</entry>





<entry>
    <title>Tom DeMarchi</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/tom-demarchi-1.html" />
    <id>tag:southeastreview.org,2011://1.334</id>

    <published>2011-05-06T21:03:42Z</published>
    <updated>2011-05-06T21:25:13Z</updated>

    <summary>Like a lot of people, the professional relationship I had with Jeanne Leiby eventually evolved into a friendship. So I will miss her as a colleague, of course, but mostly as a friend.The first time I met Jeanne—at the 2005 Miami Book Fair—she was standing behind a table at The Florida Review booth. I mentioned that I was planning my first writers conference. She leaned over the table and said, &quot;Here&apos;s my card. We need to talk about getting UCF students there. And we should partner in some way, get The Florida Review there as a significant presence. You need to hold a contest. I can help you organize that. How are you marketing? Okay, here&apos;s what you need to do: Launch a marketing campaign...</summary>
    
    
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</entry>





<entry>
    <title>Nick Mainieri</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/nick-mainieri.html" />
    <id>tag:southeastreview.org,2011://1.333</id>

    <published>2011-05-06T20:34:32Z</published>
    <updated>2011-05-06T21:00:38Z</updated>

    <summary><![CDATA[If Jeanne believed in you, she made sure you knew it. She did it for me, when all I ever was to her was a name on a cover letter. She was the one to say, "You got something, kid. Keep it up." And when she called to tell you she liked something you wrote and wanted to publish it, she'd say, "I told you so, remember?" It was easier to believe in myself when I knew that Jeanne did, too.—Nick Mainieri, contributor to The Southern Review[Read more of In Memoriam for Jeanne Leiby]&nbsp;...]]></summary>
    
    
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</entry>





<entry>
    <title>Cass Cross -- My Friend, Jill Caputo</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/cass-cross.html" />
    <id>tag:southeastreview.org,2011://1.332</id>

    <published>2011-05-06T00:36:52Z</published>
    <updated>2011-05-06T01:35:39Z</updated>

    <summary> I remember Jill asking me once, in a moment of insecurity, if I thought she was a good writer. I said, yes, without a doubt. She asked again, stressing honesty. She wanted to really believe me when I said it. Though I remember her so much for being tough—ballsy, even—there was a fragility to her that surfaced quickly and quietly. I recognized that need to know; I barely had enough courage to voice my own. She was so persistent that day that I ran out of things to say. &quot;Jill, do you think I&apos;m a good writer?&quot; I asked. I was trying to make a point about belief—if I believed her, she should believe me—expecting her to answer immediately, yes, of course. She replied,...</summary>
    
    
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</entry>





<entry>
    <title>Quinn Dalton</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/quinn-dalton-1.html" />
    <id>tag:southeastreview.org,2011://1.331</id>

    <published>2011-05-06T00:21:48Z</published>
    <updated>2011-05-06T14:24:48Z</updated>

    <summary> In the meantime, here&apos;s another Jeanne post from Quinn Dalton: I chose Jeanne Leiby&apos;s collection, Downriver, for the Carolina Wren Press contest in 2006. There were other strong entries that year, I remember, but when I started reading her stories, I couldn&apos;t stop. Though nothing in them was predictable, the voice felt like one I knew--or it knew me—and I was hooked. Of course, I knew nothing about Jeanne when I was reading her collection. But once I&apos;d made my choice, I was gratified to learn that she had dedicated her life to writing—not just to her own, but to that of students and other writers as a teacher and editor. And when I met her, I understood why The Southern Review had made...</summary>
    
    
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</entry>





<entry>
    <title>Karen R. Tolchin</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/karen-r-tolchin.html" />
    <id>tag:southeastreview.org,2011://1.330</id>

    <published>2011-05-06T00:18:25Z</published>
    <updated>2011-05-06T14:30:09Z</updated>

    <summary><![CDATA[Jeanne Leiby changed me by modeling real generosity of spirit at the Sanibel Island Writers Conference. She walked right up to the president of our university and told him what made our little conference unique. He was truly impressed by what she had to say. She didn't have to advocate for us, but she did, immediately, instinctively. The following night, he declared from the stage that it was time for a Creative Writing major at our university. I think Jeanne's enthusiasm made a huge impact—and that she operated that way everywhere she went. She will be terribly missed. —Karen R. Tolchin, author of Part Blood, Part Ketchup: Coming of Age in American Literature and Film[Read more of In Memoriam for Jeanne Leiby]&nbsp;...]]></summary>
    
    
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</entry>





<entry>
    <title>Caitlin Horrocks </title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/caitlin-horrocks.html" />
    <id>tag:southeastreview.org,2011://1.329</id>

    <published>2011-05-05T01:12:09Z</published>
    <updated>2011-05-06T14:25:21Z</updated>

    <summary>Jeanne Leiby changed my life as a writer by scolding me on Facebook. She’d already changed my life once, by accepting my fiction for The Southern Review; three years later, when another editor might have let the story, or me, fade from her memory, Jeanne saw a status update I’d made on Facebook about a meeting. She immediately sent me a private message to tell me to be careful what I posted. My first response was dismay, then even annoyance; I tend to be neurotically circumspect about what I post online, and I worried that Jeanne had received the wrong impression of me. Which was, of course, exactly what she was warning me about. As we messaged back and forth, all was forgiven, and more—“I...</summary>
    
    
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</entry>





<entry>
    <title>April Manteris</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/april-manteris.html" />
    <id>tag:southeastreview.org,2011://1.328</id>

    <published>2011-05-03T20:54:30Z</published>
    <updated>2011-05-06T14:26:02Z</updated>

    <summary>Jeanne Leiby changed my life as a writer by telling me, upon reading some of my poetry during a visit the first year of my MFA, that she saw flashes of genius. It wasn&apos;t flattery. She urged me, without hesitation or a gentle tongue, to begin there, with those moments, because the rest didn&apos;t hold up to them. Her honesty and encouragement remain foundational in my revision process, in what I expect from myself and what my poems expect from me. —April Manteris, Poetry PhD student, FSU[Read more of In Memoriam for Jeanne Leiby]...</summary>
    
    
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</entry>





<entry>
    <title>Michael Trammell</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/michael-trammell.html" />
    <id>tag:southeastreview.org,2011://1.327</id>

    <published>2011-05-03T20:42:34Z</published>
    <updated>2011-05-06T00:13:35Z</updated>

    <summary>Jeanne Leiby changed my life as a writer by ... Showing a buoyant passion for literary journals and the writing life on an editors&apos; panel we co-chaired at a conference several years ago; her zeal helped reawaken my own enthusiasm that had been languishing at that point. Her energy and generosity were always contagious!—Michael Trammell, Editor, Apalachee Review[Read more of In Memoriam for Jeanne Leiby]...</summary>
    
    
        <category term="Memoriam-Leiby" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="jeanneleibymemorial" label="Jeanne Leiby Memorial" scheme="http://www.sixapart.com/ns/types#tag" />
    
    


</entry>





<entry>
    <title>Andrew Ervin</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/andrew-ervin.html" />
    <id>tag:southeastreview.org,2011://1.326</id>

    <published>2011-05-03T20:35:48Z</published>
    <updated>2011-05-06T14:26:32Z</updated>

    <summary>Jeannie was a visionary editor, someone who painted in strokes broader than anyone else thought were possible. She had big ideas, all the time. —Andrew Ervin, author of Extraordinary RenditionsFor more about Jeanne Leiby, go to [Andrew Ervin&apos;s blog].[Read more of In Memoriam for Jeanne Leiby]...</summary>
    
    
        <category term="Memoriam-Leiby" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="jeanneleibymemorial" label="Jeanne Leiby Memorial" scheme="http://www.sixapart.com/ns/types#tag" />
    
    


</entry>





<entry>
    <title>Julianna Baggott</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/julianna-baggott-3.html" />
    <id>tag:southeastreview.org,2011://1.325</id>

    <published>2011-05-03T20:24:33Z</published>
    <updated>2011-07-05T22:02:05Z</updated>

    <summary>Jeanne Leiby changed my life as a writer by ... giving me a hard time for veering from my post as upholding all things literary. I explained that I wasn&apos;t interested in that role. I wanted to storm the gates of what has been—for so long—ghettoized as genre. I wanted to get dirty and see what I could do in those worlds with language. Honestly, Jeanne was telling me what I think a lot of people from the literary world would like to tell me—Stop messing around. Get serious. Come back to us with all your muscle. Don&apos;t pull any punches. Jeanne had the guts to say what she thought, when others don&apos;t. I loved that about her. Admired it deeply. I convinced her that...</summary>
    
    
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</entry>





<entry>
    <title>Katie Cortese</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/katie-cortese.html" />
    <id>tag:southeastreview.org,2011://1.324</id>

    <published>2011-05-03T18:29:58Z</published>
    <updated>2011-09-15T00:18:06Z</updated>

    <summary> Jeanne Leiby changed my life as a writer and editor by calling me to tell me my story didn&apos;t make it into The Southern Review. There are few editors who call about acceptances and almost none who phone about close calls, but Jeanne was determined to change the way literary journals work. She wanted to use them to forge community. She changed The Southeast Review, at the very least, and I know her example won&apos;t stop there.—Katie Cortese, Editor, SER[Read more of In Memoriam for Jeanne Leiby]...</summary>
    
    
        <category term="Memoriam-Leiby" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="jeanneleibymemorial" label="Jeanne Leiby Memorial" scheme="http://www.sixapart.com/ns/types#tag" />
    
    


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<entry>
    <title>Sandy Coomer and Lisa Abellera</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/05/sandy-coomer-and-lisa-abellera.html" />
    <id>tag:southeastreview.org,2011://1.323</id>

    <published>2011-05-02T16:57:00Z</published>
    <updated>2011-05-04T14:35:18Z</updated>

    <summary>Spring 2011 Writing Regimen Contest Winners At the end of every month-long writing regimen for adults, participants are invited to submit up to three of their best regimen-inspired pieces for a chance at publication on southeastreview.org. After sifting through the excellent submissions from our recent spring regimen, we chose one poem and one prose piece to display on our website. We are proud to announce that Sandy Coomer and Lisa Abellera are our most recent winners.POETRY WINNER: Sandy Coomer Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:&quot;Table Normal&quot;; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:&quot;&quot;; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:&quot;Calibri&quot;,&quot;sans-serif&quot;; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:&quot;Times New Roman&quot;; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:&quot;Times New Roman&quot;; mso-bidi-theme-font:minor-bidi;} Sandy Coomer is a...</summary>
    
    
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</entry>





<entry>
    <title></title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/01/post-1.html" />
    <id>tag:southeastreview.org,2011://1.321</id>

    <published>2011-02-01T01:35:29Z</published>
    <updated>2011-02-01T01:36:07Z</updated>

    <summary></summary>
    
    
    
    





</entry>





<entry>
    <title>Jennifer Sperry Steinorth</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/01/jennifer-sperry-steinorth.html" />
    <id>tag:southeastreview.org,2011://1.320</id>

    <published>2011-01-18T18:13:24Z</published>
    <updated>2011-01-18T19:13:19Z</updated>

    <summary>Winter 2010 Writing Regimen Contest Winner At the end of every month-long writing regimen for adults, participants are invited to submit up to three of their best regimen-inspired pieces for a chance at publication on southeastreview.org. After sifting through many accomplished submissions from the Winter regimen, we chose one poem to display on our website. We are proud to announce that Jennifer Sperry Steinorth is our most recent winner.Jennifer Sperry SteinorthJennifer Sperry Steinorth is a graduate of Interlochen Arts Academy where she majored in dance. She has a degree in literature with emphases on creative writing and philosophy, and is the vice-chair of Michigan Writers. She pays the piper as a builder/designer in northern Michigan where she lives with her husband and two boys. Her...</summary>
    
    
        <category term="poetry" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    





</entry>





<entry>
    <title>Book Review: Look! Look! Feathers </title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/01/book-review-look-look-feathers.html" />
    <id>tag:southeastreview.org,2011://1.319</id>

    <published>2011-01-09T03:30:54Z</published>
    <updated>2011-01-09T03:34:23Z</updated>

    <summary><![CDATA[ 800x600 Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 st1\:*{behavior:url(#ieooui) } /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} Mike Young, Strange Americana: A Review of Look! Look! Feathers by J. A. Tyler &nbsp; Mike Young’s debut story collection Look! Look! Feathers is one part linear story-telling, one part rampantly strange Americana, and one part boyish humor – it is a skittish mixture that can backfire if misfed through the guts of our weapons, or one that can kill if pointedly perfected in each and every story. And though my take on Look! Look! Feathers is that it merely maims, only wounds us, given Young’s sometimes genius but...]]></summary>
    
    
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</entry>





<entry>
    <title>SER Online, Winter 2011</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/01/ser-online-winter-2011.html" />
    <id>tag:southeastreview.org,2011://1.318</id>

    <published>2011-01-08T17:28:14Z</published>
    <updated>2011-05-13T17:23:23Z</updated>

    <summary><![CDATA["Dystopia" (2007) 9 x 4 x.5 inches, edition of 30, linoleum block prints with digitally printed cover Cut, folded, and bound, open the cover and a three-dimensional city emerges, unfolds, metamorphoses by artist Maddy Rosenberg ***Please visit our Tribute to Jeanne Leiby, an accomplished writer, teacher, editor, and friend of SER who passed away unexpectedly on April 19, 2011. We've compiled links to her work and writing, a previously unpublished podcast of a Q&amp;A she conducted at FSU in 2008, and personal testimonies from people whose lives she touched and changed.***If you're in the Tallahassee area this Tuesday, April 26th, stop by The Warehouse for The Southeast Review's THIRD ANNUAL FUNDRAISER! It will feature a variety show by five FSU professors (Diane Roberts, Julianna Baggott,...]]></summary>
    
    
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<entry>
    <title>Review: Fight For Your Long Day</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/01/review-fight-for-your-long-day.html" />
    <id>tag:southeastreview.org,2011://1.317</id>

    <published>2011-01-07T23:08:07Z</published>
    <updated>2011-01-08T18:51:46Z</updated>

    <summary><![CDATA[z Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} Fight For Your Long Day by Alex Kudera Trade Paperback Original $14.95reviewed by Charles Dodd White &nbsp; The strange particulars of a (non)career in academia today is the subject of Alex Kudera's forceful debut novel, Fight For Your Long Day. Part absurdist romp and part manifesto for the neglected campus working class, Kudera's book caroms through the single working day of English adjunct professor Cyrus Duffleman, a quixotic hero on the intellectual ropes trying to survive the bash and trash mentality of contemporary higher education's bottom line economics. &nbsp; While partially billed as...]]></summary>
    
    
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</entry>





<entry>
    <title>Review: The Necessary Marriage</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/01/review-the-necessary-marriage.html" />
    <id>tag:southeastreview.org,2011://1.316</id>

    <published>2011-01-07T23:03:04Z</published>
    <updated>2011-01-08T18:50:13Z</updated>

    <summary><![CDATA[ 72 Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Cambria","serif";} The Necessary Marriage by Dumitru Tsepeneag &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dalkey Archive Press, 2008, 130 pages, $12.95reviewed by Brooks Sterritt &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The Necessary Marriage by Dumitru Tsepeneag is a potentially disorienting work, though intensely rewarding once one becomes acclimated to its conventions. The novel eschews commas and uses only three periods, two of which appear in the abbreviation “i.e.” Only the first-person pronoun and proper nouns are capitalized. Tense is fluid, as is point of view, though the action centers on a man in “a foul-smelling room.” A representative passage reads: &nbsp; …he gives up...]]></summary>
    
    
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</entry>





<entry>
    <title>Rick Hilles - &quot;Red Scarf &amp; The Black Briefcase&quot;</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/01/rick-hilles---red-scarf-the-bl.html" />
    <id>tag:southeastreview.org,2011://1.315</id>

    <published>2011-01-07T22:57:01Z</published>
    <updated>2011-01-08T19:20:39Z</updated>

    <summary><![CDATA[The Red Scarf &amp; The Black Briefcase &nbsp; by Rick Hilles Faut se débrouiller: First, you have to know how to help yourself, to cleave your own path out of the nightmare. That’s how you survived, if you survived. Faut se débrouiller. Back then, it might mean anything: Knowing how to procure, even falsify, valid documents; knowing when and how to offer a bribe. &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;Faut se débrouiller. Find what will help you—even if, as yet, it doesn’t exist. &nbsp; What would you have called us? Enemy combatants? ‘Ressortissants allemands’ they called us (‘citizens of Germany’), although Germany had already rescinded our citizenship. We were citizens of no country —exiles, apatrides, émigrés. The music of French curdling in our mouths gave us away—the despised...]]></summary>
    
    
        <category term="poetry" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    


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<entry>
    <title>Review: Richard Yates</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/01/review-richard-yates.html" />
    <id>tag:southeastreview.org,2011://1.314</id>

    <published>2011-01-07T22:49:59Z</published>
    <updated>2011-01-26T16:36:09Z</updated>

    <summary><![CDATA[ Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Cambria","serif";} Richard Yates by Tao Lin Review by Stephen Tully Dierks Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Cambria","serif";} &nbsp; I liked this novel. It is the story of a relationship between two characters, a 22-year-old writer named Haley Joel Osment living in New York and a 16-year-old girl named Dakota Fanning living in New Jersey. The names, Lin has said, poke fun at the practice of giving different names to obviously autobiographical characters. He...]]></summary>
    
    
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</entry>





<entry>
    <title>Review: Everything is Quiet </title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/01/review-everything-is-quiet.html" />
    <id>tag:southeastreview.org,2011://1.313</id>

    <published>2011-01-07T22:43:51Z</published>
    <updated>2011-01-26T16:36:54Z</updated>

    <summary> Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:&quot;Table Normal&quot;; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:&quot;&quot;; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:&quot;Cambria&quot;,&quot;serif&quot;;} Everything is Quiet by Kendra Grant Malone Review by Stephen Tully Dierks Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:&quot;Table Normal&quot;; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:&quot;&quot;; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:&quot;Cambria&quot;,&quot;serif&quot;;} Everything is Quiet is the first print book by Kendra Grant Malone, a poet living in Brooklyn, but her work has been widely published on the Internet, including several e-books. She writes autobiographical poems that seem sincere and very personal. I have had a recurring, irrational thought that she is somehow “the standard” for...</summary>
    
    
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<entry>
    <title>Book Review: Wishbone: A Memoir in Fractures</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/01/book-review-wishbone-a-memoir.html" />
    <id>tag:southeastreview.org,2011://1.312</id>

    <published>2011-01-07T22:38:00Z</published>
    <updated>2011-01-08T18:45:21Z</updated>

    <summary>Wishbone: A Memoir in Fracturesby Julie Marie Wade (Colgate University Press, 2010)reviewed by Shelah Woodruff “This is the baptism I remember: full and vigorous immersion: my father lifting me up in his arms, then casting me—long and lean as a baited line—into those harrowing waves. And when I came up for air, breaking (as they say) the surface, I smiled—despite the piercing cold, despite the unstoppable force and its untraceable source—and begged him to throw me back again like a bad catch, like a fish not worthy of nets” (54). Reading Julie Marie Wade&apos;s memoir Wishbone: A Memoir in Fractures feels just a lot like this. Told, as the title asserts, through pages of fragmented stories and re-membering, Wade&apos;s collection pushes the boundaries of the...</summary>
    
    
        <category term="reviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    





</entry>





<entry>
    <title>Book Review: Brazil</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2011/01/book-review-brazil.html" />
    <id>tag:southeastreview.org,2011://1.311</id>

    <published>2011-01-07T22:19:24Z</published>
    <updated>2011-01-08T17:42:44Z</updated>

    <summary>Brazil by Jesse Lee Kercheval Reviewed by Megan Straub Though the title of Jesse Lee Kercheval’s Brazil conjures images of exotic romances in faraway lands, America is the focus of this novella. Or more likely, two characters’ wild ride through what they hope America really is. Neither they nor the readers are quite sure why the journey begins, but this quick read, set in 1988, appropriately begins at the bottom of the map, in Miami. We can sense that Paulo, our narrator, is searching for something, despite his failure to finish even one year of college, in the only city outside Miami that he’s ever been to. He admits that his pay as a bellhop at a middle-of-the-row hotel is enough to keep him grounded...</summary>
    
    
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</entry>





<entry>
    <title>Manoli Kouremetis</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/12/manoli-kouremetis.html" />
    <id>tag:southeastreview.org,2010://1.310</id>

    <published>2010-12-08T18:58:28Z</published>
    <updated>2010-12-08T19:15:01Z</updated>

    <summary>Winks Fiction from The Southeast Review Volume 28.2We share two falls. One fall is the autumn after Mom died, those first days just us two in the house. Other fathers had put their sons in Scouts or gotten them jobs shoveling out horse barns, but you set me up with half racks of Milwaukee’s Best in cans. We drank them up together, watched Wildcat basketball, slept on the couch in our clothes. In the morning, you’d go in to Rand McNally, and I’d go to high school, both of us with stinging hangovers. I finally felt a connection, like a thread come loose from your sleeve stretched through town to meet up with mine. I imagined that thread trailing through town past the courthouse and...</summary>
    
    
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    <category term="manolikouremetis" label="Manoli Kouremetis" scheme="http://www.sixapart.com/ns/types#tag" />
    
    





</entry>





<entry>
    <title>Evan Hansen</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/12/-normal-0-false-false.html" />
    <id>tag:southeastreview.org,2010://1.309</id>

    <published>2010-12-08T18:44:31Z</published>
    <updated>2010-12-08T18:54:02Z</updated>

    <summary> Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:&quot;Table Normal&quot;; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:&quot;&quot;; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:&quot;Calibri&quot;,&quot;sans-serif&quot;; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:&quot;Times New Roman&quot;; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:&quot;Times New Roman&quot;; mso-bidi-theme-font:minor-bidi;} A SUCCESSFUL JOB HUNT BEGINS SOMEWHERE From The Southeast Review Volume 28.2O boredom, let’s get all tarted upand go out drinking. Let’s shaveand do some sit-ups, look at picturesof ourselves when we were young.Let’s put the laundry in and makea sandwich with iceberg lettuceand eat until nothing remainsbut weight in our stomach—a little ballast lest we float throughthe window, the door, our life.Let’s watch fifteen minutes of TV—the election news and hurricanewarning, a list of yesterday’s sportsscores and a...</summary>
    
    
        <category term="poetry" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="evanhansen" label="Evan Hansen" scheme="http://www.sixapart.com/ns/types#tag" />
    
    








</entry>





<entry>
    <title>Jackie Davis Martin</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/10/jackie-davis-martin.html" />
    <id>tag:southeastreview.org,2010://1.308</id>

    <published>2010-10-19T18:41:15Z</published>
    <updated>2010-10-19T19:08:33Z</updated>

    <summary>Fall 2010 Writing Regimen Contest Winner At the end of every month-long writing regimen for adults, participants are invited to submit up to three of their best regimen-inspired pieces for a chance at publication on southeastreview.org. After sifting through many heartfelt and exciting submissions from the Fall regimen, we chose one prose piece to display on our website. We are proud to announce that Jackie Davis Martin is our most recent winner.Jackie Davis MartinJackie Davis Martin’s vocation of teaching literature has consistently blurred into the avocation of reading and writing. Jackie presently teaches at City College of San Francisco, a city where she and her husband pursue Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:&quot;Table Normal&quot;; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0;...</summary>
    
    
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<entry>
    <title>SER Online, October 2010</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/10/ser-online-october-2010.html" />
    <id>tag:southeastreview.org,2010://1.306</id>

    <published>2010-10-05T13:16:49Z</published>
    <updated>2011-01-02T18:07:10Z</updated>

    <summary><![CDATA[ "Lorem Ipsum II: From the Summer Reading Series, 2009-2010" Manipulated, ink-splashed, hand-stitched book assemblage by artist Jacqueline Rush Lee ********ATTENTION ALL WRITERS: SER is set to launch a BRAND-NEW Writing Regimen for Adults on FEBRUARY 1st! If you're looking for a way to galvanize your writing routine, this 30-Day cycle of emails including exercises, riff words, craft talks, podcasts, and more could be just the tool to start your writing year off right!********IN THIS ISSUE Kavon Franklin interviews Sheri Parks &amp; David Rodriguez interviews Robert Boswell &amp;Darby PriceinterviewsKate Gale&amp; Okla Elliottoffers a review essay onWilliam T. Vollman's Imperial &amp;J.A. Tylerreviews Metrophilias by Brendan Connell Michael Beeman reviews What the World Will Look Like When All the Water Leaves Us by Laura van den Berg...]]></summary>
    
    
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<entry>
    <title>Book Review: Imperial </title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/10/book-review-imperial.html" />
    <id>tag:southeastreview.org,2010://1.305</id>

    <published>2010-10-04T01:02:32Z</published>
    <updated>2010-10-09T13:36:05Z</updated>

    <summary> 800x600 Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:&quot;Table Normal&quot;; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:&quot;&quot;; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:&quot;Calibri&quot;,&quot;sans-serif&quot;; mso-bidi-font-family:&quot;Times New Roman&quot;;} Wrestling the Octopus: William T. Vollmann’s Imperial and Biopolitics; or: Rethinking Literary Theory; or: Early Directions in Vollmann Studies by Okla Elliott 1. Imagining I have Eight Arms “As I said, this book forms itself as it goes. Fields, cemeteries, newspapers, and death certificates beguile and delay me; I don’t care that I’ll never finish anything; Imperial will scour them away with its dry winds and the brooms of its five-dollar-an-hour laborers…The desert is real, as are they, but there is no such place as Imperial; and I, who don’t...</summary>
    
    
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<entry>
    <title>Book Review: Quotidiana</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/09/book-review-quotidiana.html" />
    <id>tag:southeastreview.org,2010://1.303</id>

    <published>2010-09-26T20:18:57Z</published>
    <updated>2010-10-05T20:17:43Z</updated>

    <summary><![CDATA[ Quotidiana by Patrick Madden(The University of Nebraska Press, 2010)Reviewed by Nick Ripatrazone&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; One danger in the world of the essay is creating an epistemological box: of defining one’s own context, of creating and then suffocating discourse.&nbsp; The essay can often become more artifice than art, the formal antithesis of Frost’s poetic surprises for the reader and writer.&nbsp; Within Quotidiana--selected by Michael Martone as a runner-up for the 2007 AWP Award Series in Creative Non Fiction--Patrick Madden appears well-aware of these essayistic conceits.&nbsp; His collection embraces the potential of the word: disparate epigrams from the father of essai, Montaigne, rest comfortably next to culled lyrics from Rush, and near Madden’s own vignettes from Montevideo , Uruguay to Whippany , New Jersey .&nbsp; Rather than allowing...]]></summary>
    
    
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<entry>
    <title>Kate Gale</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/09/kate-gale.html" />
    <id>tag:southeastreview.org,2010://1.302</id>

    <published>2010-09-26T20:17:50Z</published>
    <updated>2010-10-05T20:26:04Z</updated>

    <summary><![CDATA[ Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} Interviewed by Darby Price &nbsp; Kate Gale is the co-founder and Managing Editor of Red Hen Press and The Los Angeles Review. She is a poet, novelist, librettist, and blogger. She is a professor in the MFA programs at Whidbey Writers Workshop and the University of Nebraska, and will serve on the final judging committee for the Kingsley Tufts Poetry Award this year. &nbsp; Q: You seem to be a multi-tasking machine. You’re a mother, the Managing Editor of Red Hen Press, the Editor...]]></summary>
    
    
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<entry>
    <title>Book Review: Metrophilias</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/09/book-review-metrophilias.html" />
    <id>tag:southeastreview.org,2010://1.301</id>

    <published>2010-09-26T20:14:43Z</published>
    <updated>2010-10-05T20:40:47Z</updated>

    <summary><![CDATA[ 800x600 Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 st1\:*{behavior:url(#ieooui) } /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} The People Inside the Cities Inside: A Review of Brendan Connell’s Metrophilias &nbsp; by J. A. Tyler &nbsp; The points on the cover are the matrix of geographical points in the book. The cities in the book are the points of the stories in the people. The people in the places in these stories are the groups of people who inhabit our cities. These stories in this collection are connected by the points on this map. The cover of this book is the mapping of the points of the...]]></summary>
    
    
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<entry>
    <title>Book Review: What the World Will Look Like When All the Water Leaves Us</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/09/book-review-what-the-world-wil.html" />
    <id>tag:southeastreview.org,2010://1.300</id>

    <published>2010-09-26T20:09:35Z</published>
    <updated>2010-10-05T20:38:13Z</updated>

    <summary> Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:&quot;Table Normal&quot;; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:&quot;&quot;; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:&quot;Calibri&quot;,&quot;sans-serif&quot;; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:&quot;Times New Roman&quot;; mso-bidi-theme-font:minor-bidi;} reviewed by Michael Beeman What the World Will Look Like When All the Water Leaves Us By Laura van den Berg Describing the stories in Laura van den Berg&apos;s debut collection is like reciting the greatest hits of National Enquirer headlines: Bigfoot, the Loch Ness monster, a legendary creature haunting the rainy season of Africa, and the mapinguary -the “Sasquatch of Brazil”- all make appearances in this slim volume (only to name a few). One story can be summarized as a college professor witnessing...</summary>
    
    
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<entry>
    <title>Rick Hilles</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/09/rick-hilles.html" />
    <id>tag:southeastreview.org,2010://1.299</id>

    <published>2010-09-26T20:08:19Z</published>
    <updated>2011-01-08T19:16:48Z</updated>

    <summary><![CDATA[ 72 Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} Interview:&nbsp; Poet—Rick HillesInterviewer—Michael Barach&nbsp; Q.&nbsp; Which poets do you find yourself continually going back to, and what do you learn from reading their work? &nbsp; A. Czesław Miłosz wrote that he always sought “a more expansive form.” And for expansiveness, one can hardly do better than Whitman, and I rarely, if ever, tire of him. (Sometimes reading him is like listening to an over-caffeinated friend who can exhilarate you to the point of pure exhaustion.) Still, even then, I’m usually grateful that I spent the time with him. He’s probably the poet...]]></summary>
    
    
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<entry>
    <title>Randall Mann </title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/09/randall-mann.html" />
    <id>tag:southeastreview.org,2010://1.298</id>

    <published>2010-09-26T20:07:41Z</published>
    <updated>2011-01-08T19:13:55Z</updated>

    <summary><![CDATA[ 800x600 Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Garamond","serif";} Interview with Randall Mann&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; by Vincent Guerra &nbsp; Q: Landscapes in Breakfast with Thom Gunn seem to perform as media for self-representation, as in the poem, “Short Short,” in which the speaker declares, “This is the Missouri of my life… I am a literal ______.” Conversely, in the poem “Aubade,” scenery is described as “the safest form/of obfuscation.” Perhaps all representations enact this dual performance of expression and obfuscation. What, for you, is the relationship between place and self, either as represented in your writing or in your actual life in San Francisco?...]]></summary>
    
    
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<entry>
    <title>Robert Boswell</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/09/robert-boswell.html" />
    <id>tag:southeastreview.org,2010://1.297</id>

    <published>2010-09-26T20:04:52Z</published>
    <updated>2010-10-08T12:29:41Z</updated>

    <summary><![CDATA[ Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Cambria","serif";} &nbsp;Interviewed by David Rodriguez Robert Boswell is the author of eleven books, including The Heyday of the Insensitive Bastards, a story collection published by Graywolf Press in April 2009. His other story collections are Living to Be 100 and Dancing in the Movies. His novels include Century's Son, American Owned Love, Mystery Ride, The Geography of Desire, and Crooked Hearts. Additionally, he has a book on the craft of writing, The Half-Known World, and a book about a real-life treasure hunt in New Mexico, What Men Call Treasure: The Search for Gold...]]></summary>
    
    
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<entry>
    <title>Sheri Parks</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/09/sheri-parks.html" />
    <id>tag:southeastreview.org,2010://1.296</id>

    <published>2010-09-26T20:03:05Z</published>
    <updated>2010-10-05T20:31:24Z</updated>

    <summary><![CDATA[ 800x600 Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} Interviewed by Kavon FranklinSheri Parks is an associate professor in the American Studies department at the University of Maryland, College Park. She is also an affiliate faculty member of the Women’s Studies and African American Studies departments and an award-winning teacher and public speaker. She is host of NPR’s Clear Reception with Sheri Parks, and her work has been featured in The New York Times, The Washington Post, Los Angeles Times, and Newsweek, and on MSNBC, CNN, NBC News, and many other media outlets. She lives outside Baltimore, Maryland. &nbsp; Q:...]]></summary>
    
    
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</entry>





<entry>
    <title>Book Review: Poetry! Poetry! Poetry! </title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/09/book-review-poetry-poetry-poet.html" />
    <id>tag:southeastreview.org,2010://1.294</id>

    <published>2010-09-26T19:51:05Z</published>
    <updated>2010-10-05T20:37:04Z</updated>

    <summary>Peter Davis - Poetry! Poetry! Poetry!(Bloof Books, 2010)by Tyler GobbleReview Addressing Poetry! Poetry! Poetry! by Peter Davis Wow. I think you are a stellar book. You made me laugh and cry with both joy and sympathy. With your meta-ness and openness and quirkiness, you are simply wild poems. Everything you do seems purposeful, you book o’ poems you, like you are controlling me. Review Addressing the Two Kinds of People These Poems Seem To Be Addressing It seems to me there are two kinds of people these poems are addressing. One I will call potential validators (academics, colleagues, reviews, journals, etc.), the people that can give some credit to Peter Davis. The other is called “other” like 5 year old boys and trees in autumn....</summary>
    
    
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<entry>
    <title>Book Review: Unplugged: My Journey into the Dark World of Video Game Addition</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/09/book-review-unplugged-my-journ.html" />
    <id>tag:southeastreview.org,2010://1.293</id>

    <published>2010-09-26T19:49:26Z</published>
    <updated>2011-01-08T17:40:54Z</updated>

    <summary><![CDATA[ 800x600 Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} Unplugged: My Journey into the Dark World of Video Game Addition by Ryan G. Van Cleave Review by Salvatore Pane &nbsp; In sixth grade I logged over 150 hours on Final Fantasy III for my Super Nintendo. In high school I wasted 70 hours on Suikoden III on the Playstation 2. Just this past spring I spent 50 hours playing Final Fantasy Tactics A2: Grimore of the Rift on my Nintendo DS. I justified this most recent one only because I mostly played on planes or on my stationary exercise bike....]]></summary>
    
    
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<entry>
    <title>Book Review: Scott Pilgrim Volume 6: Scott Pilgrim’s Finest Hour </title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/09/book-review-scott-pilgrim-volu.html" />
    <id>tag:southeastreview.org,2010://1.292</id>

    <published>2010-09-26T19:43:25Z</published>
    <updated>2011-01-08T17:37:39Z</updated>

    <summary><![CDATA[ Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} Scott Pilgrim Volume 6: Scott Pilgrim’s Finest Hour by Bryan Lee O’MalleyReview by Richard Garn&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; There is a comic book store on the north end of town in Tallahassee, Florida that held a midnight release party for the sixth and final installment of the Scott Pilgrim graphic novel epic: Scott Pilgrim’s Finest Hour.&nbsp; In an event that could only be described as dork-tastic, cake was served on a folding table beside colorful gallon jugs of punch.&nbsp; There was also a camera crew there to...]]></summary>
    
    
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<entry>
    <title>Book Review: Winter&apos;s Journey</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/09/book-review-winters-journey.html" />
    <id>tag:southeastreview.org,2010://1.291</id>

    <published>2010-09-26T19:39:55Z</published>
    <updated>2011-01-08T17:33:17Z</updated>

    <summary><![CDATA[ 800x600 Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Calibri","sans-serif"; mso-bidi-font-family:"Times New Roman";} Winter’s Journey: A Review &nbsp;by Darby Price &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; In his latest collection of poetry, Winter’s Journey, Steven Dobyns explores the nature of love, religion, politics, and art. Through fourteen (mostly) long, narrative poems, Dobyns takes the reader through an intellectual journey set in winter’s landscape: snow, frozen duck feet, and the metaphors of age and aging love. By the end of the book, spring is once more emerging, but the poet is no more sure or hopeful than he is at the beginning. The end of the journey is just...]]></summary>
    
    
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<entry>
    <title>Forrest Anderson</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/08/i-first-met-jill-caputo.html" />
    <id>tag:southeastreview.org,2010://1.287</id>

    <published>2010-08-26T19:47:56Z</published>
    <updated>2010-08-27T15:11:47Z</updated>

    <summary>I first met Jill Caputo in the summer of 2005 at Ali Baba&apos;s, a now-closed hookah bar on Pensacola Street in Tallahassee, Florida. Saleh Assadi, the owner, hosted a weekly reading series for graduate students in the Florida State Creative Writing Program. Thursday nights we would gather to share pita and hummus and listen to our friends read from their work. After, we would sit on the front porch (it was a great front porch), drink pitcher after pitcher of warm beer in the muggy Gulf air, and say things to each other like,&quot;I used to think Lolita was the best novel ever written until I read Pale Fire.&quot;&quot;Maybe, but no one can beat Hannah&apos;s sentence about feet and uteri.&quot;&quot;Nabokov did with two words: picnic—lightning.&quot;Simply...</summary>
    
    
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</entry>





<entry>
    <title>Jill Caputo Candlelight Vigil Speech by Shawn Brown</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/08/jill-caputo-candlelight-vigil.html" />
    <id>tag:southeastreview.org,2010://1.290</id>

    <published>2010-08-25T17:25:19Z</published>
    <updated>2010-08-25T17:40:22Z</updated>

    <summary>Jill Caputo. What can you say about Jill Caputo? Jill, she was one of a kind. From the day she began working for the agency to the last day she signed out, she made sure to tell me, in her own mysterious way, that she was no different than anyone else. From day one I tried to accommodate Jill in every way. I constantly asked her do you need this, do you need that, can I get this, can I get that. She politely told me, &quot;no, I can do it myself.&quot; That made me feel so useless. I finally came to realize that Jill was very independent. There were times that I had to be a bit aggressive with my staff about their work...</summary>
    
    
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</entry>





<entry>
    <title>Julianna Baggott</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/08/julianna-baggott-2.html" />
    <id>tag:southeastreview.org,2010://1.289</id>

    <published>2010-08-24T18:07:31Z</published>
    <updated>2010-08-25T17:21:18Z</updated>

    <summary>Jill took my Novel Seminar a few years ago. It was an intense group of students, lots of heavy hitters who&apos;d been kicking around novels for years, some of whom already had agents, and lots of publications and awards under their belts, as well as those who were treading into their first novels. There was some jockeying, some tension early on. Let me put it this way. At one point, one student said, &quot;I&apos;ll publish a novel before you do.&quot; And the other came back, &quot;You want to go right now, mofo.&quot; At which point there was a moment of silence. Then I said, &quot;Well, we are already in a circle.&quot; Jilll laughed immediately. She had no stop. When a situation deserved a laugh, it...</summary>
    
    
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</entry>





<entry>
    <title>Evan Peterson</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/08/jill-has-always-been-audacious.html" />
    <id>tag:southeastreview.org,2010://1.286</id>

    <published>2010-08-23T19:18:10Z</published>
    <updated>2010-08-25T17:19:00Z</updated>

    <summary>Jill has always been audacious, fierce, honest, and loving. Suffering a bizarre stroke in childhood, Jill lost most of the movement on one side of her body. This did not stop her from going to graduate school, going to the beach, fighting to be taken seriously as a teacher, having great hair, and writing honest work that neither wallowed in nor shunned self-pity. She was an honest writer and I miss her.We&apos;re talking about a woman who showed up to our Politically Incorrect-themed Halloween party dressed up as a disabled prostitute, complete with a cardboard sign that read, &quot;Meals on Wheels.&quot; That is how I think of her: bold, funny, daring, and laughing at life&apos;s petty unfairness. I think about how she looks like a...</summary>
    
    
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</entry>





<entry>
    <title>John Wang</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/08/because-i-came-to-fsu.html" />
    <id>tag:southeastreview.org,2010://1.285</id>

    <published>2010-08-23T19:04:19Z</published>
    <updated>2010-08-25T17:19:44Z</updated>

    <summary>Because I came to FSU after Jill Caputo had finished her coursework I only saw her briefly early on, at department mixers and readings. One of the first things I learned about Jill—via hearsay, as we tend to do in a small academic setting—was that during a workshop of one of her stories the professor had made her cry; but before I could file away that little bit of trivia under something banal and stereotypical I learned this fact: Jill would go on to say that professor was her favorite, because of how he pushed and challenged her. I never did get to spend a lot of time with Jill, but I ran into her frequently while riding around town on my bicycle, seeing her...</summary>
    
    
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<entry>
    <title>Celia Leber and Wendy Breuer</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/07/celia-leber-and-wendy-breuer.html" />
    <id>tag:southeastreview.org,2010://1.284</id>

    <published>2010-07-21T04:33:19Z</published>
    <updated>2010-07-21T13:11:48Z</updated>

    <summary>Summer 2010 Writing Regimen Contest Winners At the end of every month-long writing regimen for adults, participants are invited to submit up to three of their best regimen-inspired pieces for a chance at publication on southeastreview.org. After sifting through the wide variety of moving, carefully-wrought submissions from our June regimen re-run, we chose one prose piece and one poem to display on our website. We are proud to announce that Celia Leber and Wendy Breuer are our most recent winners.POETRY WINNER: Celia LeberCelia Leber lives in the high desert of Central Oregon, where she practices law and volunteers as a ski patroller. Her work has appeared in the Literary Harvest 2009 Chapbook of the Central Oregon Writers Guild and in Maine Voices: A Celebration of...</summary>
    
    
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</entry>





<entry>
    <title>A Trio of Gulf Coast Poems by Van K. Brock</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/07/a-trio-of-gulf-coast-poems-by.html" />
    <id>tag:southeastreview.org,2010://1.283</id>

    <published>2010-07-12T04:44:26Z</published>
    <updated>2010-07-19T17:13:30Z</updated>

    <summary>Van K. Brock is author of Lightered: New and Collected Poems (2005), Unspeakable Strangers (poems about the Holocaust, 1995), The Window (1981), a chapbook, The Hard Essential Landscape (1979), and other collections. For several decades he was at Florida State University and for a while was co-director of the writing program. He helped found The Southeast Review (then Sundog), International Quarterly (1993-1999), and, in 1973, Anhinga Press, which he directed for 25 years. In 2000, Anhinga Press dedicated Snakebird: 30 Years of Anhinga Poets to Brock and in 2006 named its Florida Poets Series for Brock. His poems from Unspeakable Strangers, (“The Hindenburg” and “This Way to the Gas”) were in the new edition of Charles Fishman’s edition of Blood to Remember: American Poets on...</summary>
    
    
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</entry>





<entry>
    <title>Mare Nostrum </title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/07/mare-nostrum.html" />
    <id>tag:southeastreview.org,2010://1.281</id>

    <published>2010-07-10T04:31:11Z</published>
    <updated>2010-07-19T05:24:04Z</updated>

    <summary>You want to blame somebody? Fine, good, go for it: BP, Barack Obama, George W. Bush, Huey P. Long, Halliburton, the federal Minerals Management Service, the Republican Party, the Democratic Party, the Tea Party—all guilty.Culpability-wise, it’s an embarras de richesse. BP’s so-called “safety protocols” lacked anything identifiable as “safety:&quot; the more you spend on contingency systems, the less money you make. Why fool around with serious disaster plans (such a downer) when the crude’s still gushing and the profits keep piling up and the shareholders are blissed out? Congress capped damages for oil companies at $75 million back in 1990. That was right after the Exxon Valdez slammed into Bligh Reef, spilling 30 million gallons of crude in Alaska’s Prince William Sound. Never mind the...</summary>
    
    
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<entry>
    <title>Love Letters to the Gulf</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/06/love-letters-to-the-gulf.html" />
    <id>tag:southeastreview.org,2010://1.273</id>

    <published>2010-06-20T00:25:16Z</published>
    <updated>2010-06-24T20:41:07Z</updated>

    <summary>I’ve been thinking a lot about Gulf sturgeon lately—these enormous, threatened fish that spawn in the big rivers along the coast. I wrote one of my early short stories about them. Well, a story about a lovesick marine biology student, holed up in an Apalachicola motel while he awaits data for his research project. But it was those sturgeon that came to me first, not my FSU grad student, and it occurs to me that a lot of my work, and much of the work that I enjoy, springs from a similar place. That is, from a desire to shine some light on all that we are losing along the Gulf Coast, as well as all that we have already lost. Threatened wildlife and environs,...</summary>
    
    
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</entry>





<entry>
    <title>Industrial Incident</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/06/industrial-incident.html" />
    <id>tag:southeastreview.org,2010://1.276</id>

    <published>2010-06-19T01:38:16Z</published>
    <updated>2010-07-19T07:43:59Z</updated>

    <summary>They suck up ancient creaturesthat ferment beneath the sea.They snare that ooze with cruel drills whiningthrough the stiff Gulf breeze.They want to get it, and sell it, and sell it and sell ituntil it’s all gone.Now our Gulf is an Industrial Incident,please stand back. I know them.They gouge Florida’s ancient dunesthen truck them eastto spread on Miami Beach,which wasn’t a beach,but a mangrove swampwith hidden creatures;a whole world in those leggy roots. They push dry earth into the wet places,execute minnows, frogs,trees, and shady treasures.They smooth it over to hide it good,then build houses on that fake dry place,houses sitting right next to the dry place they dug out, and dug out, and dug outto make it wet. They rip ancient coral from its dark...</summary>
    
    
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</entry>





<entry>
    <title>Wading in the Water: Ode to Dr. Mason</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/06/wading-in-the-water-ode-to-dr.html" />
    <id>tag:southeastreview.org,2010://1.278</id>

    <published>2010-06-18T18:46:42Z</published>
    <updated>2010-07-19T07:49:00Z</updated>

    <summary>“Wade in the water.Wade in the water, children.Wade in the water.God&apos;s gonna trouble the water.”—traditional spiritual Growing up, I spent a lot of my time on Biloxi Beach. When I put my hands over my ears, I hear that wind and water and no other. My identity is so intertwined with that place—those tides and waves, those birds and fish, and the people and culture that attends it—that the most recent disaster feels like a personal assault. That place and I are inexorably connected. Take, for instance, the barrier islands—some in plain sight from the beach, some not—they absorb the brunt of the Gulf’s waves. Because of them, the water of the Mississippi Sound is calm and flat; it looks like a hammered sheet of...</summary>
    
    
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<entry>
    <title>The Shining Gulf</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/06/the-shining-gulf.html" />
    <id>tag:southeastreview.org,2010://1.275</id>

    <published>2010-06-18T01:21:42Z</published>
    <updated>2010-07-19T07:29:33Z</updated>

    <summary>This essay appears in the new anthology, UnspOILed: Writers Speak for Florida&apos;s Coast, edited by Susan Cerulean, Janisse Ray, and A. James Wholpart. Learn more about the anthology by visiting UnspOILed.Drought had a choke hold on Tallahassee. The national forest south of town burned out of control most of June. With an evening thunderstorm threatening the festivities at Tom Brown Park, St. George Island seemed a safer bet for fireworks this Fourth of July. God knows my daughter and I needed an outing.“Nice to breathe some fresh air, huh, honey?” I said, watching Lumin stick her feet out the car window as we cruised the familiar route from Tallahassee to St. George: Panacea, Ochlocknee Bay, St. Teresa, Carrabelle, each town like a native wildflower Normal...</summary>
    
    
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<entry>
    <title>Hidden Spring</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/06/hidden-spring.html" />
    <id>tag:southeastreview.org,2010://1.274</id>

    <published>2010-06-18T01:11:30Z</published>
    <updated>2010-06-24T19:17:39Z</updated>

    <summary>It was July in the Florida heat when I found a hidden spring off of the Weeki Wachee River, one of many tributaries feeding into the Gulf of Mexico. I wasn’t more than eleven years old but I felt like a conquistador. I crept carefully through the overgrowth that hid the spring so as to not leave a path to my treasure. A solitary boulder jutted out of the crystal clear pool, tempting me to swim to it.The water, on the other hand, stayed sixty-eight degrees year round. On a hundred degree day that was enough to turn my lips blue and cause my teeth to keep rhythm to some tune I couldn’t hear. But I was a wise eleven; I knew I could take...</summary>
    
    
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<entry>
    <title>SER Online, Summer 2010</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/06/ser-online-summer-2010.html" />
    <id>tag:southeastreview.org,2010://1.243</id>

    <published>2010-06-14T12:37:42Z</published>
    <updated>2010-08-27T14:05:56Z</updated>

    <summary>Inside this Issue:Connie May FowlerRichard BickelSkip HorackTom DeMarchi2005 Hurricane Katrina Benefit ReadingFrom the Archives: An Interview with Daniel Woodrell, author of Winter&apos;s BoneAn All-New-Content 30-Day Writing Regimen for Adults starts September 1st, as well as a Young Writer&apos;s Regimen Re-Run! And make sure to check out the winning work from June&apos;s cycle by Celia Leber and Wendy Breuer!A Tribute to the Gulf Coast, featuring commentary, testimonies, celebrations, and memories of the Gulf Coast region from authors such as Skip Horack, Michael Garriga, Diane Roberts, and more. If you would like to contribute to this ongoing feature of SER Online, Summer 2010, email the editors with your proposed contribution.THE RESULTS ARE IN! To view the winners and finalists of SER&apos;s 2010 Poetry, Narrative Nonfiction, and World&apos;s...</summary>
    
    
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<entry>
    <title>Richard Bickel Slideshow</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/06/richard-bickel-slideshow.html" />
    <id>tag:southeastreview.org,2010://1.269</id>

    <published>2010-06-02T20:14:50Z</published>
    <updated>2010-06-15T22:39:06Z</updated>

    <summary><![CDATA[Richard Bickel's photography crosses 70 countries and has been published throughout the world. His passion for exotic waters—Africa's Niger and Burma's Irawaddy Rivers—brought him to Apalachicola in 1994. He has since been capturing the rich culture of Florida's last stand, publishing his best-selling photo essay book The Last Great Bay in 2002. In 2004, his Apalachicola images appeared in a New York Times cover story profiling the profoundness of the area.&nbsp; A recipient of the Golden Quill Award for Photography and the New York Art Director's Club Award, Bickel has contributed to numerous books published by National Geographic and Travel &amp; Leisure. He has worked for numerous magazines, including Islands, Saveur, Sports Afield, Civilization Stern (Germany) and Geo (France)....]]></summary>
    
    
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</entry>





<entry>
    <title>Debra Monroe</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/06/debra-monroe.html" />
    <id>tag:southeastreview.org,2010://1.186</id>

    <published>2010-06-01T14:45:03Z</published>
    <updated>2010-07-08T14:00:13Z</updated>

    <summary><![CDATA[Interviewed by Richard Garn Debra Monroe is the author of four books, including her&nbsp;first novel, The Source of Trouble, winner of&nbsp;the prestigious Flannery O'Connor Award for Fiction.&nbsp;Her books have&nbsp;appeared on “Best Ten” lists in Elle and Vanity Fair, and in Borders Bookstores’ “Original Voices” series. Her most recent book, Shambles, is currently available, and her forthcoming memoir&nbsp;On the Outskirts of Normal: Forging a Family Against the Grain will be&nbsp;be published this summer.&nbsp;&nbsp;(Author photo by Suzanne Reiss.)&nbsp;Q: Your debut collection, The Source of Trouble won the Flannery O'Connor Award for Short Fiction and saw publication as a result. This is a unique debut; publishers are avoiding short fiction collections more and more, and no one counts on winning awards. What were your reactions to winning? In...]]></summary>
    
    
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<entry>
    <title>Connie May Fowler</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/05/connie-may-fowler.html" />
    <id>tag:southeastreview.org,2010://1.264</id>

    <published>2010-05-31T15:25:08Z</published>
    <updated>2010-06-16T12:54:29Z</updated>

    <summary>Interviewed by Jessica Pitchford Connie May Fowler is an award-winning novelist, memoirist, and screenwriter. Her most recent novel, How Clarissa Burden Learned to Fly, was published in April 2010. Her other novels include Sugar Cage (1994), River of Hidden Dreams (1996), Before Women had Wings (1997)—recipient of the Southern Book Critics Circle Award and the Francis Buck Award from the League of American Pen Women—The Problem with Murmur Lee (2001), and Remembering Blue (2006)—recipient of the Chautauqua South Literary Award. She adapted Before Women had Wings into a screenplay for Oprah Winfrey. The result was an Emmy-winning film starring Oprah Winfrey and Ellen Barkin. In 2002, Fowler published When Katie Wakes, a memoir that explores her descent into and escape from an abusive relationship. Her...</summary>
    
    
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</entry>





<entry>
    <title>Ethel Rohan and Marilyn Cavicchia</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/05/marilyn-cavicchia-and-ethel-ro.html" />
    <id>tag:southeastreview.org,2010://1.239</id>

    <published>2010-05-08T15:38:09Z</published>
    <updated>2010-07-21T04:35:43Z</updated>

    <summary><![CDATA[Spring 2010 Writing Regimen Contest Winners At the end of every month-long writing regimen for adults, participants are invited to submit up to three of their best regimen-inspired pieces for a chance at publication on southeastreview.org. This time, we were presented with an embarrassment of riches and selected one prose piece and one poem. We are proud to announce that Ethel Rohan and Marilyn Cavicchia are our most recent winners.PROSE WINNER:Born and raised in Dublin, Ireland, Ethel Rohan now lives in San Francisco. She received her MFA in fiction from Mills College, CA. Her work has appeared or is forthcoming&nbsp;in Storyglossia, Keyhole 9, The Emerson Review, Los Angeles Review, and Potomac Review, among many others. She blogs at ethelrohan.com.Ethel chose to submit a piece in...]]></summary>
    
    
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</entry>





<entry>
    <title>Book Reivew: Monsieur Pain</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/05/book-reivew-monsieur-pain.html" />
    <id>tag:southeastreview.org,2010://1.238</id>

    <published>2010-05-04T20:11:36Z</published>
    <updated>2010-05-04T21:11:24Z</updated>

    <summary>Roberto Bolaño, Monsieur Pain, trans. Chris Andrews. New Directions, 2010, 134pp. Cloth: $22.95 reviewed by Lily Hoang Monsieur Pain is an early Bolaño, written in 1981 or 82, when he was desperate for prize money, which, sure, he won. What is important about this slender novel’s composition date is that it shows Bolaño’s progression as a writer. Here, in this traditional historical novel, there are murmurs of The Savage Detectives, nascent urges towards what would develop into 2666, and yet it is its own book, and like all Bolaño, it is bold and extravagant in its simplicity and entirely “mesmerizing.” Set in Paris 1938, the eponymous Monsieur Pain, Pierre Pain, is a mesmerist, a follower of Franz Mesmer, a believer that supposed magnetic fluids flowing...</summary>
    
    
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</entry>





<entry>
    <title>SER Online, May 2010</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/05/ser-online-may-2010.html" />
    <id>tag:southeastreview.org,2010://1.237</id>

    <published>2010-05-03T21:25:50Z</published>
    <updated>2010-05-17T23:17:34Z</updated>

    <summary><![CDATA[ "More Books" by artist Mickey Smith IN THIS ISSUE&nbsp; Richard GarninterviewsDebra Monroe &amp;Katherine Burgess interviews Ryan BoudinotMeanwhile...from our ongoing Podcast series: Listen to Margaret Atwood speak candidly to students, professors and fans at Florida State University Also, check out these fresh reviews of small/independent press titles:Joe Sacksteder reviews Blake Butler’s Ever (Calamari Press) J.A. Tyler reviews Evan Lavander-Smith’s From Old Notebooks (BlazeVOX) Brandi GeorgereviewsMary Jo Bang’s The Bride of E (Graywolf)&nbsp; Stephen Tully Dierks reviews Zachary German's Eat When You Feel Sad (Melville House) and Brandon Scott Gorrell's during my nervous breakdown i want to have a biographer present (Muumuu House)Lily Hoang reviews Roberto Bolaño's Monsieur Pain (New Directions)And in closing, a few important announcements...The Southeast Review has shut down Poetry, Fiction, and Nonfiction...]]></summary>
    
    
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</entry>





<entry>
    <title>AWP 2010 in Denver</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/05/awp-2010-in-denver.html" />
    <id>tag:southeastreview.org,2010://1.236</id>

    <published>2010-05-03T11:29:20Z</published>
    <updated>2010-05-05T02:16:35Z</updated>

    <summary><![CDATA[The Southeast Review had a fabulous time at the Associated Writing Programs conference in Denver this year. &nbsp; In addition to making new friends and spreading the word about our AWP-only contest extension, we sold out of our new issue, Volume 28.1! Many thanks to everyone who stopped by the table, and to everyone who participated in our Post-It competition. Also, congratulations to our winner, John Nieves, whose poetic post received a landslide of the popular vote in the form of multi-colored stars and, as a result, is featured here on our website:...]]></summary>
    
    
    
    


























</entry>





<entry>
    <title>Book Review: The Bride of E</title>
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    <id>tag:southeastreview.org,2010://1.235</id>

    <published>2010-05-03T11:02:26Z</published>
    <updated>2010-05-05T18:27:13Z</updated>

    <summary>Mary Jo Bang’s The Bride of E reviewed by Brandi George Yes. And yes: “I cross the street. A horn doesn’t stop me. I cross and cross. On the other side I look back to see the commotion. The driver of the car looks at me, the horn still not stopping, meets my eyes. He sees into me and says, ‘Not you, fuck-face.’ Twelve years later I’m a frayed edge. I’m under everything I know” (76). This is a passage from “G is Going,” a section which blurs the lines between poetry and prose. Bang proves that good literature defies classification—it has a mysterious essence. As David Kirby writes in What Is a Book, “great books contain, not many secrets, but too many secrets” (10)....</summary>
    
    
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<entry>
    <title>Book Review: Eat When You Feel Sad</title>
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    <id>tag:southeastreview.org,2010://1.234</id>

    <published>2010-05-03T10:44:03Z</published>
    <updated>2010-05-04T21:24:09Z</updated>

    <summary> Eat When You Feel Sad by Zachary German Review by Stephen Tully Dierks Just finished reading Eat When You Feel Sad by Zachary German. I liked it. It is a selection of scenes from the life of a young guy initially living at home with his parents, and then, for the bulk of the novel, living in Brooklyn. The author made a conscious decision to present all actions, words, and thoughts in stripped-down, simple declarative sentences. The effect is to strip away everything usually present in literature that does not relate to concrete reality and the experience of being inside a consciousness. For this reader, there is a tremendous feeling of honesty and familiarity as a result of this technique. This is what it...</summary>
    
    
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<entry>
    <title>Book Review: during my nervous breakdown i want to have a biographer present</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/05/book-review-during-my-nervous.html" />
    <id>tag:southeastreview.org,2010://1.233</id>

    <published>2010-05-03T10:31:57Z</published>
    <updated>2010-05-04T21:26:31Z</updated>

    <summary>during my nervous breakdown i want to have a biographer presentby Brandon Scott GorrellReview by Stephen Tully Dierks I read Brandon Scott Gorrell’s book of poems, during my nervous breakdown i want to have a biographer present, last night. I had previously seen other work by Brandon on the internet, but this was my first time reading the whole book. I found it to be ‘incredible,’ ‘honest,’ sad, highly ‘poetic,’ and ‘sublime.’ Not to mention very cohesive and commanding as a complete work. The book charts the emotional journey from birth—the birth of poem titles, of poems—through anxiety, sadness, loneliness, love, and despair, to acceptance. In its voice, its extremely creative, at times science-fiction-fueled vision, its relentlessness, and in the beauty of its moments, Brandon’s...</summary>
    
    
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<entry>
    <title>Book Review: From Old Notebooks</title>
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    <id>tag:southeastreview.org,2010://1.232</id>

    <published>2010-05-03T09:58:33Z</published>
    <updated>2010-05-04T21:36:26Z</updated>

    <summary><![CDATA[Possibilities &amp; Absolutes: A Review of Evan Lavender-Smith’s From Old Notebooks by J. A. Tyler Possibility #1:Evan Lavender-Smith keeps notebooks. Old notebooks. And in these old notebooks he writes snippets: movie plots, story ideas, funny things his wife or children said, potential inventions, et cetera. Evan Lavender-Smith writes these snippets in these old notebooks and, somewhere down the line, decides that he has a dozen or so old notebooks lying around and, instead of just chucking them in a storage box or, worse yet, the garbage bin, he compiles them into a single document, culls and cuts until it is a book-sized endeavor. There are, within these possibilities, a string of other possibilities. And like a vulture, as I read, I wait, hoping to pin...]]></summary>
    
    
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<entry>
    <title>Book Review: Ever</title>
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    <id>tag:southeastreview.org,2010://1.231</id>

    <published>2010-05-03T09:36:15Z</published>
    <updated>2010-05-04T21:32:53Z</updated>

    <summary><![CDATA[Blake Butler’s Ever: Can Humpty Dumpty Translate? by Joe Sacksteder A quick Google search has alerted me to the fact that comparing Blake Butler’s novella, Ever, to Mark Z. Danielewski’s House of Leaves, is approximately as original as the basic premise both books share: a house that is bigger on the inside than the outside, a house that organically sprouts doors and corridors, a house that itself becomes a character, both symbolically and biologically.&nbsp; One book in each hand, you’ll immediately notice a huge difference: where Danielewski is surfeit, Butler is sparseness – 709 pages to 104, respectively.&nbsp; Open the books, and a few similarities become evident.&nbsp; Both texts are hybrid, using innovative typography and unsettling images that make them seem almost as akin to...]]></summary>
    
    
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<entry>
    <title>Danzy Senna</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/05/danzy-senna.html" />
    <id>tag:southeastreview.org,2010://1.187</id>

    <published>2010-05-01T16:26:46Z</published>
    <updated>2011-01-08T19:34:01Z</updated>

    <summary><![CDATA[Interviewed by Janeen Price Danzy Senna is the author of two novels, a memoir, numerous essays and works of short fiction. Her debut novel, Caucasia,&nbsp;a coming-of-age story, was named&nbsp;the Los Angeles Times Best Book of the Year. It also&nbsp;won the Book-of-the-Month Club’s Stephen Crane Award for First Fiction and the American Library Association’s Alex Award. Her latest book, Where Did You Sleep Last Night?: A Personal History, is a memoir of her journey to solve the enigma of her father’s family history. Q: Where Did You Sleep Last Night? is your first memoir. What compelled you to write and publish this personal narrative? A: I was intrigued by this mystery of my father’s mother, a black woman from the South who was educated and ambitious...]]></summary>
    
    
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<entry>
    <title>Book Review: Kamby Bolongo Mean River</title>
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    <id>tag:southeastreview.org,2010://1.227</id>

    <published>2010-04-02T02:06:11Z</published>
    <updated>2010-04-30T15:29:22Z</updated>

    <summary><![CDATA[The Trouble With Words: Robert Lopez's Kamby Bolongo Mean Riverby Kathryn ReginaThe narrator of Kamby Bolongo Mean River has trouble with words. Some words trigger a lifetime of associations, memories saturated with emotion, very much alive in the narrator’s present moment. Other words stand alone for him like solid objects, necessitating rigorous inspection. “The trouble is some people use words one way but other people use those same words a&nbsp;different way altogether. My problem is I think about one word for too long. A caller will say&nbsp; a word like injury and I will think about the word for a minute or two and not hear the other&nbsp;words. I won’t know who has the injury or why it matters. This always happens to me and&nbsp;this...]]></summary>
    
    
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<entry>
    <title>Margaret Luongo </title>
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    <id>tag:southeastreview.org,2010://1.185</id>

    <published>2010-04-01T21:03:25Z</published>
    <updated>2011-01-08T19:31:23Z</updated>

    <summary><![CDATA[Interviewed by Wei Xiong Margaret Luongo (MFA, University of Florida) is the recipient of an Ohio Arts Council Individual Creativity Grant and the Walter E. Dakin Fellowship at the Sewanee Writers’ Conference. Her stories have appeared in Tin House, Jane Magazine, Fence, The Cincinnati Review, and other journals. Her first collection of stories, If the Heart Is Lean, was published in 2008. Q: One thing that struck me in reading these stories is how devoid of sentimentality the collection is.&nbsp;Though these characters weave in and out of emotionally charged situations, their coping mechanisms seem to be mostly outward action.&nbsp;Is this something that you have to consciously will yourself into doing in order to tell an engaging story? A: I suspect that my characters are emotionally...]]></summary>
    
    
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</entry>





<entry>
    <title>Ryan Boudinot</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/04/ryan-boudinot.html" />
    <id>tag:southeastreview.org,2010://1.120</id>

    <published>2010-04-01T13:44:42Z</published>
    <updated>2010-05-04T20:30:08Z</updated>

    <summary><![CDATA[Interviewed by Katherine Burgess Ryan Boudinot is the author of the short story collection The Littlest Hitler. His work has appeared in McSweeney's, Nerve, and The Best American Nonrequired Reading, among other publications.&nbsp;Misconception is his latest book.&nbsp; Q: Tell us a little bit about your new book, Misconception. It's a novel about a man named Cedar and a woman named Kat. Most of it takes place in the '80s, when they were adolescents, but the novel is framed by more contemporary sections in which Kat, now a fiction writer, is running her memoir of those early years past Cedar. Bleh. I can never seem to describe it in a nutshell. Q: Was your writing process at all different, going from short stories to a novel?...]]></summary>
    
    
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<entry>
    <title>SER Online, April 2010</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/03/ser-online-april-2010.html" />
    <id>tag:southeastreview.org,2010://1.226</id>

    <published>2010-03-29T23:30:10Z</published>
    <updated>2010-04-02T14:26:11Z</updated>

    <summary> IN THIS ISSUE Interviews with: Wells Tower Shelley Puhak --AND-- Readings by: D.A. Powell Pamela Ball Kim MacQueen Bucky McMahon Janet Burroway Diane Roberts Mark Hinson The artwork you see here is called &quot;Butterfly #2.&quot; It was created by photographer Cara Barer, whose work often uses books as art objects. As for our interviews... David Rodriguez asks Everything Ravaged, Everything Burned author Wells Tower a few questions, including: What writerly habit would you most like to break? Trevor Newberry questions Stalin in Aruba author Shelley Puhak about poetry, history, curse words, and the merits of John Grisham. On the podcast front... D.A. Powell reads some of his new poetry. Plus: Mark Hinson, Diane Roberts, Janet Burroway, Bucky McMahon, Pamela Ball, and Kim MacQeen all...</summary>
    
    
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<entry>
    <title>D. A. Powell</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/03/d-a-powell.html" />
    <id>tag:southeastreview.org,2010://1.222</id>

    <published>2010-03-16T21:40:47Z</published>
    <updated>2010-03-30T05:58:05Z</updated>

    <summary><![CDATA[ D. A. Powell&nbsp;is the author of a trilogy of books, including Tea, Lunch, and Cocktails, which was nominated for the National Book Critics Circle Award. His most recent book, Chronic, received the Kingsley Tufts Award and was nominated for a National Book Critics Circle Award. His subjects range from movies, art, and other trappings of contemporary culture to the AIDS pandemic. Powell has received a Paul Engle Fellowship from the James Michener Center, a grant from the National Endowment for the Arts, and the Lyric Poetry Award from the Poetry Society of America, among other awards. He has taught at Columbia University, the University of Iowa, Sonoma State University, San Francisco State University, and served as the Briggs-Copeland Lecturer in Poetry at Harvard University....]]></summary>
    
    
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<entry>
    <title>Terry Rowlett</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/03/terry-rowlett.html" />
    <id>tag:southeastreview.org,2010://1.219</id>

    <published>2010-03-03T14:50:56Z</published>
    <updated>2010-03-03T15:28:18Z</updated>

    <summary><![CDATA[ RECOGNITION, 60" x 42", 2009 &nbsp; Terry Rowlett grew up in rural Arkansas, where his worldview was shaped by evangelical Christianity. As an art student, he gravitated towards the techniques of the Old Masters. His work today fuses familiar themes from Renaissance and Baroque paintings with pop culture imagery, exploring the meaning of faith—and loss of faith—in the modern world. Click here to visit Terry's&nbsp;online portfolio&nbsp;and see more of his work....]]></summary>
    
    
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<entry>
    <title>Jerome Stern Benefit</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/03/jerome-stern-benefit.html" />
    <id>tag:southeastreview.org,2010://1.221</id>

    <published>2010-03-02T09:55:39Z</published>
    <updated>2010-04-02T14:36:52Z</updated>

    <summary><![CDATA[ &nbsp; Mark Hinson&nbsp;is a senior writer and columnist for the Tallahassee Democrat and Tallahassee.com. His weekly Sunday humor column, For Amusement Purposes Only, is one of the most popular features in thepaper. He studied with Jerry Stern in the mid-80s while he was also an arts reporter and cartoonist for the Florida Flambeau. Hinson&nbsp;also spent a stint working for the New Orleans Times-Picayune. He is currently at work on a novel titled Stack of Bibles. Diane Roberts is a Professor of English at FSU&nbsp;and a Visiting Fellow in Creative Writing at the University of Northumbria&nbsp;in England. Her latest book, Dream State: Eight Generations of Swamp Lawyers, Conquistadors, Confederate Daughters, Banana Republicans, and other Florida Wildlife, about her politically prominent (and very odd) family has...]]></summary>
    
    
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<entry>
    <title>Shelley Puhak</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/03/shelley-puhak-1.html" />
    <id>tag:southeastreview.org,2010://1.179</id>

    <published>2010-03-01T19:55:20Z</published>
    <updated>2010-03-29T23:50:36Z</updated>

    <summary><![CDATA[Interviewed by&nbsp;Trevor Newberry Shelly Puhak lives in Baltimore and is currently Writer-in-Residence at the College of Notre Dame of Maryland. She earned her MFA from the University of New Orleans and her MA in Literature from the University of Delaware. She was a 2007 Maryland State Arts Council grant recipient. Her poems have appeared in Alaska Quarterly Review, Beloit Poetry Journal, New Delta Review, New South, Third Coast, and other journals.&nbsp;Her essays have appeared in Fourth Genre and Road &amp; Travel. Her first book, Stalin in Aruba, was recently published. Q: In your recent book of poetry, Stalin in Aruba, your work negotiates and combines the complexity of the distance between the personal realm and the historical realm. In one of my favorite poems, “Purging...]]></summary>
    
    
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<entry>
    <title>Elizabeth Hegwood </title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/03/elizabeth-hegwood.html" />
    <id>tag:southeastreview.org,2010://1.218</id>

    <published>2010-03-01T16:09:19Z</published>
    <updated>2010-03-02T21:45:18Z</updated>

    <summary><![CDATA[ HOUSE *Nonfiction Excerpt: to read the rest,&nbsp;see The Southeast Review Volume 28.1 My husband spends weeks trying to find a place for us to live. Because I’m six months pregnant, we’re in a hurry. We want more space for us, a room for the baby, some grass for the dog. Fewer neighbors. Last year’s hurricane spiked what used to be college-town prices. Now everything we can afford has a waiting list. Twice, we’re told by realtors to come get a key and take a look, but, both times, someone else signs the lease before we get there. We stop at the only realtor in town we haven’t asked, and a woman behind small piles of papers tells us someone turned in a move-out notice...]]></summary>
    
    
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<entry>
    <title>Anthony Varallo</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/03/anthony-varallo.html" />
    <id>tag:southeastreview.org,2010://1.217</id>

    <published>2010-03-01T15:57:52Z</published>
    <updated>2010-03-02T21:49:15Z</updated>

    <summary><![CDATA[AT EASE A&nbsp;2009 World's Best Short Short Story Contest Finalist, From The Southeast Review Volume 28.1 My senior year of high school I went to the prom with a girl whose boyfriend had been killed in Iraq. Donald, the boyfriend’s name was. I’d met him a few times before he was shipped out. He’d come to school with Vicki (that’s the girl I went to the prom with, Vicki) back when we were juniors and he was away in training. Donald had worn his full regalia: razor-pleated pants, a stiff white shirt, shoes polished so thoroughly they looked like black glass. He stood in lunch line with us and let the cafeteria workers pile his tray high with mound after mound of terrible food. “Much...]]></summary>
    
    
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<entry>
    <title>B.J. Hollars</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/03/bj-hollars.html" />
    <id>tag:southeastreview.org,2010://1.216</id>

    <published>2010-03-01T15:37:38Z</published>
    <updated>2010-03-02T21:43:03Z</updated>

    <summary><![CDATA[ SIGHTINGS *Fiction Excerpt: to read the rest,&nbsp;see&nbsp;The Southeast Review Volume 28.1 It’s difficult, even now, to distinguish senior prom from the one that came before. Both years withheld the same mysteries: we boys staring helplessly at the cufflinks, our suspenders, trying desperately to crack their secret codes. Meanwhile, the girls had their own mysteries to unravel: hair, make-up, push-up bras, time logged in the tanning beds. Despite all their similarities, there was at least one detail that distinguished one year from the next. Senior year, Becca Marsden—whose scent alone could cause boys’ pants to swell—chose not to attend with her recent ex, Ed Gorman. Instead, she accompanied the new student who’d lumbered into our lives just weeks prior, at the start of the basketball...]]></summary>
    
    
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<entry>
    <title>Tina Karelson</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/03/tina-karelson.html" />
    <id>tag:southeastreview.org,2010://1.215</id>

    <published>2010-03-01T15:29:22Z</published>
    <updated>2010-03-02T21:22:15Z</updated>

    <summary><![CDATA[ SOMETIMES WE FORGET THERE ARE POTATOES A&nbsp;2009 Poetry Contest Finalist, From The Southeast Review Volume 28.1 Sometimes we forget There are potatoes Resting in the cupboard below. They become wide-eyed with neglect. Sometimes we remember potatoes. In the middle of the night We sit up suddenly and with an “Oh, my,” Vow to cook them the following day. The mysterious potatoes Hide in the cupboard. Darkness suits their purpose. Thick-skinned, so very tuberous, They defy our omnivorous intent. Starch is a many-splendored thing.It waits patiently for us,Unlike the quick-turning protein,Until we are ready to accept its substance,Like a communion wafer,In the name of roughage, comfort and nutrition. &nbsp; Tina Karelson&nbsp;lives in the Minneapolis area, where she works as a creative director in an advertising...]]></summary>
    
    
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<entry>
    <title>SER Online, March 2010</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/03/ser-online-march-2010.html" />
    <id>tag:southeastreview.org,2010://1.214</id>

    <published>2010-03-01T15:13:00Z</published>
    <updated>2010-03-05T13:19:22Z</updated>

    <summary><![CDATA[ R.I.P. Barry Hannah, 1942-2010 † † Inside this Issue: Tina Karelson Anthony Varallo Elizabeth Hegwood B.J. Hollars Keith Ratzlaff Jack Fuller Terry Rowlett The best thing about spring, besides the end of winter, is the&nbsp;arrival of a new issue of The Southeast Review. Volume 28.1, which includes the winning entries from our 2009 writing contests—Dina Hardy in the Poetry category, Martin Cloutier in the Short Short category, and Heather Bryant in the Narrative Nonfiction category—will soon be available.&nbsp; To tide you over, we offer a sample of work from our contributors, including a couple of contest finalists. We've got&nbsp;poetry by Tina Karelson, a short short by Anthony Varallo, nonfiction from Elizabeth Hegwood, and fiction from B.J. Hollars.&nbsp; &nbsp; Speaking of writing contests, it's not...]]></summary>
    
    
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<entry>
    <title>Wells Tower</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/03/wells-tower.html" />
    <id>tag:southeastreview.org,2010://1.180</id>

    <published>2010-03-01T06:50:44Z</published>
    <updated>2010-03-29T23:48:30Z</updated>

    <summary>Interviewed by David Rodriguez Wells Tower is the author of Everything Ravaged, Everything Burned, his first collection of short stories, which was published in 2009. He is also the author of many nonfiction articles. His work has appeared in The Paris Review, The New Yorker, Harper’s Magazine, McSweeney’s, The Believer, The Washington Post, Outside, and elsewhere. He received his MFA from Columbia University and is the recipient of The Paris Review Discovery Prize, a Pushcart Prize, and a Henfield Foundation award. He lives in Greenpoint, Brooklyn, and owns a house in North Carolina. An animated short of the title story of his collection can be seen on YouTube. Q: The structure of the book works really well, but I read that after you signed the...</summary>
    
    
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<entry>
    <title>Keith Ratzlaff</title>
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    <id>tag:southeastreview.org,2010://1.210</id>

    <published>2010-02-23T10:00:00Z</published>
    <updated>2010-03-03T19:46:04Z</updated>

    <summary><![CDATA[ &nbsp; Keith Ratzlaff's&nbsp;books of poetry are Then, A Thousand Crows (Anhinga, 2009) Dubious Angels: Poems after Paul Klee&nbsp;(Anhinga&nbsp;2005); Man Under A Pear Tree (winner of the Anhinga&nbsp;Prize in 1996); and Across The&nbsp;Known World (Mid-Prairie, 1998). His awards include the 1996 Anhinga Prize for Poetry, the Theodore Roethke&nbsp;Award, and a Pushcart&nbsp;Prize. His poems and reviews have appeared in Poetry Northwest, The Georgia Review, New England Review, The Threepenny&nbsp;Review, Colorado Review and North American Review. His recent poems also appear in "Poets of the New Century"(David R. Godine, 2001); "A Cappella: Mennonite Voices in Poetry"(University of Iowa Press, 2003); "Snakebird: Thirty Years of Anhinga Poets"&nbsp;and The Best American Poetry 2009 ed. By David Lehman. He is Professor of English at Central College in Pella, Iowa, where...]]></summary>
    
    
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<entry>
    <title>Margaret Atwood</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/02/margaret-atwood.html" />
    <id>tag:southeastreview.org,2010://1.230</id>

    <published>2010-02-23T03:15:45Z</published>
    <updated>2010-05-04T20:33:44Z</updated>

    <summary>Margaret Atwood is a Canadian author and social campaigner. Atwood is winner of the Arthur C. Clark Award, the and Prince of Asturias award for Literature, and numerous other awards. While she may be best known for her work as a novelist, she also writes short stories and is a poet. She is the author of more than 35 volumes of poetry, children&apos;s literature, fiction, and non-fiction and is perhaps best known for her novels, which include The Edible Woman, The Handmaid&apos;s Tale, The Robber Bride, Alias Grace, and The Blind Assassin, which won the prestigious Booker Prize in 2000.Listen as she reads some of her recent work. [download]...</summary>
    
    
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<entry>
    <title>Jack Fuller</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/02/jack-fuller.html" />
    <id>tag:southeastreview.org,2010://1.205</id>

    <published>2010-02-16T22:41:45Z</published>
    <updated>2010-03-03T19:50:11Z</updated>

    <summary><![CDATA[&nbsp; Jack Fuller is a graduate of Northwestern University and Yale Law School. He has published seven critically acclaimed novels and one book of non-fiction about journalism. He has been a legal affairs writer, a war correspondent in Vietnam, a Washington correspondent, and a Pulitzer Prize-winning editorial writer. At the age of 16, he began as a copy boy&nbsp;for the Chicago Tribune. Along the way he has worked for the Washington Post, Chicago Daily News, City News Bureau of Chicago, and Pacific Stars and Stripes. He left journalism for law briefly when U.S. Attorney General Edward Levi asked him to serve as his special assistant in the Department of Justice. At the Chicago Tribune he served as editor of the editorial page, editor, and publisher....]]></summary>
    
    
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<entry>
    <title>Susan Pope</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/02/susan-pope.html" />
    <id>tag:southeastreview.org,2010://1.196</id>

    <published>2010-02-06T22:26:29Z</published>
    <updated>2010-02-07T02:57:17Z</updated>

    <summary><![CDATA[December&nbsp;2009 Writing Regimen Contest Winner At the end of&nbsp;every month-long writing regimen for adults, participants are invited to submit up to three of their best regimen-inspired&nbsp;pieces&nbsp;for a chance&nbsp;at publication on southeastreview.org. We are proud to announce that&nbsp;Susan Pope&nbsp;is our most recent winner. Susan Pope has published essays in Pilgrimage, Alaska Woman Magazine, Damselfly Press, and Crosscurrents North: Alaskans on the Environment. A lifelong Alaskan, she explores wild places ranging from the woods behind her house, to the Arctic National Wildlife Refuge, the Kalahari Desert, and the dunes of Namibia. When she is not traveling or working as a researcher with the University of Alaska Anchorage, she enjoys biking, hiking, and skiing on the trails near her home with her husband and grandchildren.&nbsp; Susan chose to...]]></summary>
    
    
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<entry>
    <title>Andrei Codrescu</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/02/andrei-codrescu.html" />
    <id>tag:southeastreview.org,2010://1.190</id>

    <published>2010-02-01T19:51:39Z</published>
    <updated>2010-03-03T19:50:39Z</updated>

    <summary><![CDATA[ Andrei Codrescu was born in Sibiu, Romania, in 1946. He emigrated to the U.S. in 1966 and became a U.S. citizen in 1981. He is a poet, novelist, essayist, teacher, and lecturer. Codrescu is the MacCurdy Distinguished Professor of English and Comparative Literature at Louisiana State University in Baton Rouge, Louisiana, where he edits Exquisite Corpse: a Journal of Letters &amp; Life. He is also a regular commentator on National Public Radio and winner of the Peabody Award for the film “Road Scholar.” He received National Endowment for the Arts fellowships for poetry and editing, the Romanian Literature Prize, the ACLU Freedom of Speech Award, and the Ovidius Prize.Listen as he reads some of his recent work. [download]...]]></summary>
    
    
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<entry>
    <title>Mary Jo Bang</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/02/interview-with-mary-jo-bangby.html" />
    <id>tag:southeastreview.org,2010://1.184</id>

    <published>2010-02-01T19:42:16Z</published>
    <updated>2010-02-05T00:46:58Z</updated>

    <summary><![CDATA[ Interviewed&nbsp;by Vincent Guerra Mary Jo Bang&nbsp;graduated from Northwestern University, in Sociology, from the Polytechnic of Central London, and from Columbia University, with an MFA. She teaches at Washington University. Her work has appeared in New American Writing, Paris Review, The New Yorker, The New Republic, Denver Quarterly, Harvard Review. Bang was the poetry co-editor of the Boston Review from 1995 to 2005. The Bride of E was published last fall.&nbsp; Q: The scholar Nancy Armstrong has written that the modern subject is first and foremost a woman; The Bride of E seems to take a similar stance in presenting subjects who say—as if giving voice to a portrait of a woman within the frame of a John Berger essay––“Only when I’m posing do I...]]></summary>
    
    
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</entry>





<entry>
    <title>Joel Brouwer’s &apos;And So&apos;</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/02/joel-brouwers-and-so.html" />
    <id>tag:southeastreview.org,2010://1.182</id>

    <published>2010-02-01T18:49:05Z</published>
    <updated>2010-02-04T22:08:26Z</updated>

    <summary><![CDATA[by Desiree&#8217; Johnson Joel Brouwer’s work in And So reveals the world as false constructed reality. His poems draw attention to the stage that everyday people struggle to perform on. The expectations associated with these roles and the disappointments therein are reflected within the strained interpersonal relationships that the reader witnesses. Brouwer calls attention to how lost we are, in need of certain stage directions to play through life. The poem &#8220;White Suit&#8221; highlights the expectations of roles, showing a movie being filmed on a street in Paris: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Passers-by were at&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; first confused by the commotion,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; but then, when they had&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; understood, would tuck a curl&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; behind an ear, stand&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; straighter, put on lipstick before&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; passing in front of the camera. The comparison of the...]]></summary>
    
    
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<entry>
    <title>Mark Bibbins and Mary Jo Bang</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/02/mark-bibbins-and-mary-jo-bang.html" />
    <id>tag:southeastreview.org,2010://1.183</id>

    <published>2010-02-01T18:18:54Z</published>
    <updated>2010-03-03T19:52:09Z</updated>

    <summary> Mark Bibbins was a founding editor of the journal LIT and teaches in The New School’s MFA program. Individual poems have appeared in Boston Review, Colorado Review, The Paris Review, Poetry, The Yale Review and elsewhere, including the anthologies The Best American Poetry 2004 and Great American Prose Poems. Bibbins received a Lambda Literary Award for his collection of poems Sky Lounge (Graywolf, 2003), and was awarded a 2005 Poetry Fellowship from the New York Foundation for the Arts. His most recent poetry collection, The Dance of No Hard Feelings (Copper Canyon Press), came out last year. Mary Jo Bang is the author of six collections of poetry, including The Bride of E: Poems, The Eye Like a Strange Balloon, The Downstream Extremity of...</summary>
    
    
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<entry>
    <title>John Mann</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/02/john-mann.html" />
    <id>tag:southeastreview.org,2010://1.189</id>

    <published>2010-02-01T17:01:19Z</published>
    <updated>2010-02-04T22:09:40Z</updated>

    <summary> Folded in Place The photographs in this series are informed by the varied ways that photography, mapping, drawing and sculpture have each tried to describe the landscape. By incorporating each of these methods, Folded in Place highlights the abstraction of the landscape traditionally offered by these means, while creating a tangible photographic “place” in each image that is occupied by a mapped construction. The images therefore provide precise photographic and mapped information while at the same time offering an abstraction of the landscape itself. The viewer is shown a landscape that is simultaneously understood and unknown, a landscape in which the map obtains a new geography of its own. Click on the image to view more of John&apos;s work, or visit his website....</summary>
    
    
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<entry>
    <title>SER Online, February 2010</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/02/ser-online-february-2010.html" />
    <id>tag:southeastreview.org,2010://1.188</id>

    <published>2010-02-01T16:47:07Z</published>
    <updated>2010-02-07T03:04:02Z</updated>

    <summary> Inside this Issue: Susan Pope Beth Gylys Mary Jo Bang Mark Bibbins and Mary Jo Bang Andrei Codrescu Joel Brouwer’s And So John Mann It’s that time of the year when, for a small fee, we offer you a chance at fame and fortune. Okay, maybe that’s not exactly true. On the other hand, it is contest season and, for a small fee, we do offer publication (all finalists!) and prizes ($1500 in cash!). Find out more here. Or maybe what you’re looking for is a little structure in your writerly life, a little direction, a little something to get the creative juices flowing. Fortunately, The Southeast Review has brand new adult and young writer&apos;s regimens starting up April 1. Find out more about...</summary>
    
    
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<entry>
    <title>Beth Gylys</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/02/beth-gylys.html" />
    <id>tag:southeastreview.org,2010://1.110</id>

    <published>2010-02-01T11:00:57Z</published>
    <updated>2010-02-05T00:45:09Z</updated>

    <summary><![CDATA[ Interviewed by Josephine Yu Beth Gylys is an Associate Professor of English and Creative Writing at Georgia State University. She has published two award-winning collections of poems and a chapbook, Balloon Heart. Her collection, Bodies that Hum, won the Gerald Cable First Book Award. Her poems have appeared in The Paris Review, The Southern Review, The Kenyon Review, The New Republic, the Antioch Review, The Columbia Review and other journals, as well as several anthologies: American Poetry: The Next Generation, the 1996 Anthology of Best Magazine Verse, and Under the Rock Umbrella: Contemporary American Poets from 1951-1977. Her most recent&nbsp;full-length book&nbsp;of poetry, Spot in the Dark,&nbsp;won the Journal Award from Ohio State University Press. Q: You write very frankly about sex in your collections,...]]></summary>
    
    
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<entry>
    <title>Eileen Pollack</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/01/eileen-pollack.html" />
    <id>tag:southeastreview.org,2010://1.125</id>

    <published>2010-01-01T17:12:25Z</published>
    <updated>2009-12-31T15:33:05Z</updated>

    <summary><![CDATA[Interviewed by&nbsp;Wil Oakes Eileen Pollack graduated from&nbsp;Yale University with a bachelor&#8217;s degree in physics, later earning&nbsp;a Masters of Fine Arts from the University of Iowa, where she was awarded a Teaching-Writing Fellowship. She is the author of a collection of short fiction, The Rabbi in the Attic: And Other Stories, a novel, Paradise, New York, and a work of creative nonfiction called Woman Walking Ahead: In Search of Catherine Weldon and Sitting Bull, which won a 2003 WILLA finalist award. Pollack&#8217;s essays, articles, and reviews have appeared in many periodicals; her innovative textbook and anthology, Creative Nonfiction: A Guide to Form, Content, and Style, with Readings, was recently released.&nbsp;In 2008, her collection of stories and novellas, In the Mouth,&nbsp;was&nbsp;named the winner of the&nbsp;annual Edward Lewis...]]></summary>
    
    
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<entry>
    <title>Cody Miles</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/01/cody-miles.html" />
    <id>tag:southeastreview.org,2010://1.178</id>

    <published>2010-01-01T17:02:01Z</published>
    <updated>2009-12-30T17:12:47Z</updated>

    <summary> &#8220;Split&#8221; 2009 Digital This piece is part of a series on the theme of divorce and separation, and the people affected by it. My intent was to allow the viewer to come up with his or her own narrative based on the evocative nature of the imagery. Technically, I was experimenting with using traditional painting techniques in a digital medium, trying to make the difference indistinguishable. Cody Miles is an illustrator and designer based in San Francisco. To see more work, visit his website, codymiles.com....</summary>
    
    
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<entry>
    <title>Mary Bly</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/01/mary-bly.html" />
    <id>tag:southeastreview.org,2010://1.114</id>

    <published>2010-01-01T12:42:52Z</published>
    <updated>2010-02-25T15:09:59Z</updated>

    <summary> Interviewed by Josephine Yu Mary Bly, a Shakespeare scholar with degrees from Oxford and Yale, is associate professor and head of the Creative Writing program at Fordham University in New York City and the author of Consuming London: Mapping Plays, Puns, and Tourists in the Early Modern City (Oxford 2000). She is part of a prestigious writing family: her father is the poet Robert Bly, winner of an American Book Award; her mother is the writer Carol Bly; and her godfather is the Pulitzer-Prize-winning poet James Wright. So what is perhaps most surprising about Mary Bly is her double life as Eloisa James, the New York Times bestselling author of historical romance novels that defy the conventions and stereotypes of the genre with impotent...</summary>
    
    
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<entry>
    <title>Emily Franklin</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/01/emily-franklin.html" />
    <id>tag:southeastreview.org,2010://1.109</id>

    <published>2010-01-01T10:51:28Z</published>
    <updated>2010-01-09T02:03:10Z</updated>

    <summary> Interview by Katherine Burgess Emily Franklin writes regularly about food and parenting for national magazines and newspapers. She is the author of two adult novels, The Girls’ Almanac and Liner Notes, and more than a dozen books for young adults, including the critically-acclaimed seven book fiction series for teens, The Principles of Love. Other young adult books include The Other Half of Me, the Chalet Girls series, and At Face Value, a retelling of Cyrano de Bergerac. She edited the anthologies It’s a Wonderful Lie: 26 Truths about Life in Your Twenties and How to Spell Chanukah: 18 Writers Celebrate 8 Nights of Lights. She is co-editor of Before: Short Stories about Pregnancy from Our Top Writers. Her most recent book, Too Many Cooks:...</summary>
    
    
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<entry>
    <title>SER Online, January 2010</title>
    <link rel="alternate" type="text/html" href="http://southeastreview.org/2010/01/ser-online-january-2010.html" />
    <id>tag:southeastreview.org,2010://1.173</id>

    <published>2010-01-01T06:53:51Z</published>
    <updated>2010-01-20T04:55:21Z</updated>

    <summary> Inside this Issue: Mary Bly Eileen Pollack Emily Franklin John McNally Susan Vreeland Peter Meinke Barry Hannah It&apos;s a new year and in the upcoming months we have a great schedule of podcasts, including readings by Mary Jo Bang, Mark Bibbins, Andrei Codrescu, D.A. Powell, Mary Childers, and many others. If you live in Tallahassee, come see these writers in person at The Warehouse. Follow the reading series here. This month we have new interviews with Mary Bly, Eileen Pollack, and Emily Franklin. From our archives, we have an essay by John McNally and readings by Susan Vreeland, Peter Meinke, and the not-to-be-missed Barry Hannah. Enjoy and happy new year! Artwork by Cody Miles....</summary>
    
    
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